Sebastiano del Piombo, 1517. - Krist nosi križ - likovni otisak

Sažetak proizvoda

This over 500 years old piece of art was made by the male artist Sebastiano del Piombo. Slika je imala sljedeću veličinu: 118 × 92 cm (46 7/16 × 36 1/4 inča) and was manufactured with the techinque oil on panel. The artpiece belongs to the Institut za umjetnost u Chicagu collection in Chicago, Illinois, United States of America. The classic art public domain masterpiece is being supplied with courtesy of Umjetnički institut Chicago. Kreditna linija umjetničkog djela je sljedeća: Lacy Armour, Ada Turnbull Hertle, Mary Swissler Oldberg Acquisition, Charles H. and Mary F. S. Worcester Collection funds; Wirt D. Walker Trust; Alyce and Edwin DeCosta and the Walter E. Heller Foundation Fund; Estate of Walter Aitken; Frederick W. Renshaw Acquisition, Marian and Samuel Klasstorner funds; Edward E. Ayer Fund in Memory of Charles L. Hutchinson; Lara T. Magnuson Acquisition, Director's funds; Samuel A. Marx Purchase Fund for Major Acquisitions; Edward Johnson, Maurice D. Galleher Endowment, Simeon B. Williams, Capital Campaign General Acquisitions, Wentworth Greene Field Memorial, Samuel P. Avery, Morris L. Parker, Irving and June Seaman Endowment, and Betty Bell Spooner funds. Dalje, poravnanje digitalne reprodukcije je portret s omjerom stranica 3: 4, što to implicira dužina je 25% kraća od širine. The painter Sebastiano del Piombo was an artist, whose art style can primarily be attributed to High Renaissance.

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The product dropdown list provides you with the possibility to choose the material and sizeaccording to your individual preferences. We allow you to pick your favorite size and material among the following product individualization options:

• Otisak akrilnog stakla (sa pravim premazom od stakla na vrhu): An print on acrylic glass, which is sometimes referenced as a print on plexiglass, makes your favorite artwork into décor. With a glossy acrylic glass fine art print sharp contrasts and granular color details will be exposed with the help of the precise tonal gradation of the print.
• Aluminijski dibond (metalni otisak): An Aluminium Dibond print is a print with an outstanding effect of depth - for a modern impression and a non-reflective surface structure. The bright parts of the original artwork shine with a silk gloss but without any glare.
• Ispis postera (materijal na platnu): The poster is a UV printed flat canvas with a granular texture on the surface. It is excellently suited for framing your art replica with the help of a special frame. Please note, that depending on the absolute size of the canvas poster print we add a white margin of something between 2-6cm around the print motif in order to facilitate the framing with a custom frame.
• Platno: A printed canvas stretched on a wood frame. Also, a canvas makes a nice and pleasant impression. A canvas print of this artwork will allow you to transform your customized into a large artpiece as you know from art galleries. Canvas Prints have the great advantage of being low in weight, which implies that it is quite simple to hang up the Canvas print without the use of additional wall-mounts. Canvas prints are suitable for all kinds of walls.

Važna pravna napomena: We try whatever we can to describe our art products as closely as it is possible and to display them visually. Nevertheless, the pigments of the print materials, as well as the print result might differ slightly from the representation on the monitor. Depending on the screen settings and the condition of the surface, not all color pigments are printed as realisitcally as the digital version shown here. Bearing in mind that the are processed and printed manually, there may as well be minor variations in the motif's size and exact position.

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This painting by represents one of the most popular compositions invented by one of the most distinguished painters working in Rome during the High Renaissance. In the 1510s, following an early period in Venice, Sebastiano del Piombo traveled to Rome, where he was drawn into the lively atmosphere of competition between the two great luminaries of the period, Michelangelo Buonarroti and Raphael. Michelangelo took Sebastiano under his wing, teaching him his monumental style and providing drawings for some of Sebastiano’s major commissions. Following Raphael’s death in 1520, the painter and historian Giorgio Vasari stated that“first place in the art of painting was unanimously granted by all, thanks to the favor of Michelangelo, to Sebastiano.”