Velázquez, 1650 - Juan de Pareja (1606-1670) - grafika

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• Aluminijski dibond (metalni otisak): Aluminium Dibond prints are metal prints with an impressive depth. The Direct Print on Aluminum Dibond is your perfect introduction to fine art prints with aluminum. The bright and white components of the original artwork shimmer with a silk gloss, however without the glow. The colors are luminous in the highest definition, the fine details appear crisp and clear, and you can feel a matte appearance of the print. The print on aluminium is the most popular entry-level product and is a sophisticated way to display art, because it puts the viewer’s focus on the image.
• Otisak na platnu: A canvas print, not to be mistaken with a real canvas painting, is an image applied onto cotton canvas fabric. Also, a printed canvas produces a cosy, comfortable appearance. A canvas print of this artpiece will let you turn your fine art print into a large size artwork as you would see in a gallery. Canvas prints are relatively low in weight. This means, it is easy and straightforward to hang up the Canvas print without additional wall-mounts. Because of thatcanvas prints are suited for any kind of wall.
• Štampa plakata na platnu: Our poster print is a printed cotton canvas with a slight finish on the surface. It is appropriate for placing your art copy with the help of a customized frame. Please note, that depending on the size of the canvas poster print we add a white margin of something between 2 - 6cm round about the artwork, which facilitates the framing with your custom frame.
• Tiskano akrilno staklo: An acrylic glass print, often described as a UV print on plexiglass, will change your favorite original artwork into magnificient décor. Your artwork will be printed with the help of state-of-the-art UV print technology. It makes rich and stunning print colors. With an acrylic glass fine art print sharp contrasts and small details will be recognizeable due to the very fine tonal gradation.

Važna napomena: We try in order to depict our products with as many details as possible and to display them visually on the various product detail pages. Although, the colors of the printed materials and the imprint may diverge marginally from the image on the monitor. Depending on the settings of your screen and the condition of the surface, not all color pigments are printed as exactly as the digital version depicted here. Because all art reproductions are processed and printed by hand, there may as well be minor variations in the size and exact position of the motif.

Additional description from the museum's website (© Copyright - The Metropolitan Museum of Art - www.metmuseum.org)

Velázquez most likely executed this portrait of his enslaved assistant in Rome during the early months of 1650. According to one of the artist's biographers, when this landmark of western portraiture was first put on display it "received such universal acclaim that in the opinion of all the painters of different nations everything else seemed like painting but this alone like truth." Months after depicting his sitter in such a proud and confident way, Velázquez signed a contract of manumission that would liberate him from bondage in 1654. From that point forward, Juan de Pareja worked as an independent painter in Madrid.

Informacije o pozadini proizvoda

"Juan de Pareja (1606-1670)" was by Velázquez in the year 1650. The version of the artpiece had the following size: 32 x 27 1/2 in (81,3 x 69,9 cm) and was painted with the tehnika of ulje na platnu. Danas je ovo umjetničko djelo u Muzej umjetnosti Metropolitan digitalna kolekcija, koja je jedan od najvećih i najfinijih muzeja umjetnosti na svijetu, koja uključuje više od dva miliona umjetničkih djela koja se prostiru na pet hiljada godina svjetske kulture, od prapovijesti do danas i sa svih dijelova svijeta. javnosti remek-djelo je uz ljubaznost The Metropolitan Museum of Art, New York, Purchase, Fletcher and Rogers Funds, and Bequest of Miss Adelaide Milton de Groot (1876–1967), by exchange, supplemented by gifts from friends of the Museum, 1971. Kreditna linija umjetničkog djela je: Purchase, Fletcher and Rogers Funds, and Bequest of Miss Adelaide Milton de Groot (1876–1967), by exchange, supplemented by gifts from friends of the Museum, 1971. Dalje, usklađivanje digitalne reprodukcije je u portret format s omjerom 1: 1.2, što implicira da dužina je 20% kraća od širine.

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