Bengt Nordenberg, 1851. - Sunčeva pomrčina - grafički prikaz

Osnovne informacije o ovom više od 160 godina starom umjetničkom djelu

Više od 160 godina staro umjetničko djelo Pomračenje Sunca je naslikao umjetnik Bengt Nordenberg godine 1851. godine 160 year old artwork has the size: Visina: 35,5 cm (13,9 ″); Širina: 46 cm (18,1 ″) Uokvireno: Visina: 55,5 cm (21,8 ″); Širina: 65,5 cm (25,7 ″) i napravljen je sa tehnika ulje na platnu. Danas se ovo umetničko delo može pogledati u kolekciji Nacionalni muzej u Stockholmu. Drago nam je konstatirati da javnosti piece of art is being included with courtesy of Nationalmuseum Stockholm & Wikimedia Commons.: . On top of that, alignment is in landscape format and has a ratio of 4: 3, što to implicira dužina je 33% duža od širine. Bengt Nordenberg was a male painter from Sweden, whose style can mainly be attributed to Realism. The Realist artist lived for 80 years - born in the year 1822 in Blekinge, Sweden, county and died in the year 1902.

Dodatne informacije o originalnom umjetničkom djelu pruža web lokacija muzeja (© - Nationalmuseum Stockholm - Nacionalni muzej u Stockholmu)

English: In many ways, Bengt Nordenberg’s painting lives up to the expectations on Romantic artists, with Caspar David Friedrich as the typical example – with the averted figures and the spectacular lighting. However, while Friedrich set his scenes in anonymous places in a timeless ideal world, Nordenberg’s painting relates to a specific event. On 28 July, 1851, a solar eclipse took place that could be seen throughout most of northern Europe. Bengt Nordenbergs målning påminner i många avseenden om bilder av romantikens konstnärer med Caspar David Friedrich i spetsen – till exempel de bortvända figurerna och de spektakulära ljusförhållandena. Men medan Friedrich förlade sina motiv till obestämbara platser i en tidlös idévärld går Nordenbergs målning att knyta till en specifik händelse. Den 28 juli 1851 ägde en solförmörkelse rum som var möjlig att se i stora delar av norra Europa.

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• Aluminijski dibond (metalni otisak): An Aluminium Dibond print is a print material with an impressive effect of depth. A direct Aluminium Dibond Print is your excellent introduction to art prints on aluminum. The direct print on Aluminum Dibond is the most popular entry-level product and is an extremely stylish way to showcase fine art prints, as it draws focus on the whole artwork.
• Otisak na platnu: The printed canvas, which shall not be confused with a canvas painting, is a digital copy printed onto canvas. It generates the extra impression of three dimensionality. Further, a printed canvas produces a soft and appealing feeling. A canvas print of this masterpiece will give you the unique chance to turn your fine art print into a large size artwork like you know from galleries. Canvas prints are relatively low in weight, which means that it is easy to hang up the Canvas print without additional wall-mounts. Therefore, a canvas print is suited for any type of wall.
• Otisak iz akrilnog stakla: A glossy print on acrylic glass, which is sometimes denoted as a plexiglass print, will turn the artwork into stunning décor. The great upside of a plexiglass art print is that contrasts and also granular painting details will be visible due to the granular tonal gradation.
• Štampanje postera (materijal na platnu): The poster print is a UV printed sheet of canvas paper with a slight surface texture, which reminds the actual version of the work of art. The poster is appropriate for framing the art print using a personal frame. Please note, that depending on the absolute size of the canvas poster print we add a white margin between 2-6cm around the painting, which facilitates the framing with your custom frame.

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Važna informacija: We try in order to describe our art products as exact as possible and to illustrate them visually on the product detail pages. Nonetheless, the tone of the printing material, as well as the imprint can diverge to a certain extent from the presentation on the monitor. Depending on your settings of your screen and the nature of the surface, colors might not be printed one hundret percent realistically. Since all the are processed and printed manually, there may as well be slight variations in the motif's exact position and the size.

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