Hugo van der Goes, 1475. - Portret muškarca - grafika

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Detaljne specifikacije proizvoda

The 15th stoljeća piece of art was created by Hugo van der Goes. The 540 starija verzija umjetničkog djela naslikana je u veličini: Oval, overall 12 1/2 x 10 1/2 in (31,8 x 26,7 cm); painted surface 12 1/2 x 10 1/4 in (31,8 x 26 cm). Ulje na drvetu was used by the Dutch artist as the technique for the work of art. Nowadays, this piece of art can be viewed in in the Muzej umjetnosti Metropolitan collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. The classic art public domain masterpiece is being included with courtesy of The Metropolitan Museum of Art, New York, H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929. Creditline of the artwork: H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929. In addition to this, the alignment of the digital reproduction is portret i ima omjer slike od 1: 1.2, which means that the length is 20% shorter than the width. The Netherlandish painter Hugo van der Goes was an artist from the Netherlands, whose art style was mainly Northern Renaissance. The Dutch painter was born in the year 1467 in Ghent, East Flanders, Flanders, Belgium and deceased at the age of 15 in the year 1482.

Likovni grafički materijali između kojih možete izabrati:

Za svaki proizvod nudimo niz različitih veličina i materijala. Dopuštamo vam da odaberete između sljedećih varijanti:

  • Štampani poster (materijal na platnu): The Artprinta poster is a printed canvas with a fine finish on the surface. It is suited for framing your fine art print in a customized frame. Please note, that depending on the size of the poster we add a white margin of something between 2-6cm around the artwork in order to facilitate the framing.
  • Metal (aluminijski dvobojni otisak): An Aluminium Dibond print is a print material with an impressive depth effect. The Direct Print on Aluminum Dibond is the excellent introduction to art reproductions produced on aluminum. The colors of the print are bright and vivid, the details are clear and crisp, and there’s a matte look you can literally feel.
  • Otisak akrilnog stakla (sa pravim staklenim premazom): A glossy acrylic glass print, which is often denoted as a fine art print on plexiglass, will turn your favorite artwork into lovely décor.
  • Otisak na platnu: The canvas direct print is a printed cotton canvas mounted on a wood stretcher. Furthermore, a canvas print makes a attractive, enjoyable feeling. A canvas print has the advantage of being low in weight, which means that it is easy to hang up the Canvas print without the support of additional wall-mounts. Hence, canvas prints are suitable for any type of wall.

Važna pravna napomena: We try to depict our products as precisely as it is possible and to exhibit them visually on the various product detail pages. However, the tone of the print materials and the print result may diverge somehwat from the presentation on your monitor. Depending on the settings of your screen and the quality of the surface, not all colors can be printed one hundret percent realistically. Because our are printed and processed by hand, there might also be minor deviations in the motif's exact position and the size.

Strukturirane informacije o proizvodu

Kategorizacija članka: art print
Način reprodukcije: digitalna reprodukcija
Tehnika izrade: UV direktni ispis
Podrijetlo proizvoda: proizvedeno u Njemačkoj
Vrsta zaliha: proizvodnja na zahtjev
Predviđena upotreba proizvoda: zidna slika, umjetnička kolekcija (reprodukcije)
Poravnanje: portretni format
Odnos slike: 1: 1.2 - dužina: širina
Tumačenje: dužina je 20% kraća od širine
Varijante materijala predmeta: otisak akrilnog stakla (s pravim staklenim premazom), metalni otisak (aluminijski dibond), otisak plakata (platneni papir), otisak platna
Opcije platna na okviru nosila (otisak platna): 50x60cm - 20x24 ", 100x120cm - 39x47", 150x180cm - 59x71 "
Varijante akrilnog stakla (sa pravim staklenim premazom): 50x60cm - 20x24 ", 100x120cm - 39x47", 150x180cm - 59x71 "
Opcije veličine štampe plakata (papir na platnu): 50x60cm - 20x24 ", 100x120cm - 39x47"
Varijante aluminijumskog tiska: 50x60cm - 20x24 ", 100x120cm - 39x47"
okvir: imajte na umu da ova umjetnička kopija nema okvir

Informacije o umjetničkom djelu

Naziv slike: "Portret muškarca"
Kategorizacija umjetničkog djela: slika
Krovni pojam: klasična umjetnost
Umjetničko stoljeće: 15th stoljeća
Godina rada: 1475
Doba umjetničkih djela: preko 540 godina
Izvorni medij umjetničkog djela: ulje na drvu
Originalna veličina (umetničko delo): Oval, overall 12 1/2 x 10 1/2 in (31,8 x 26,7 cm); painted surface 12 1/2 x 10 1/4 in (31,8 x 26 cm)
Muzej: Metropolitanski muzej umetnosti
Lokacija muzeja: New York City, New York, Sjedinjene Američke Države
Dostupno na: Metropolitanski muzej umetnosti
Vrsta licence: javnosti
Ljubaznošću: Muzej umjetnosti Metropolitan, New York, zbirka HO Havemeyer, Oporuka gospođe HO Havemeyer, 1929
Kreditna linija: Zbirka HO Havemeyer, Oporuka gospođe HO Havemeyer, 1929

Tabela izvođača

Ime izvođača: Hugo van der Goes
Ostala imena: Van der Goes Hugo, Goes, Hugues Vander Goes, Hyges von der Goes, Hugues Vander-Goes disciple de Jean de Bruges, Goes Hugo van der, Hugo Vander Goes, Vander Goes, Hugues Van-Der-Goes, Hugues Vander Goes eleve de Van Eyck, Hugues van der Does, Hugo van der Goes, van der Goes
Spol: muški
Nacionalnost izvođača: holandski
Zanimanja: Nizozemski slikar
Zemlja umjetnika: Holandija
Klasifikacija umjetnika: stari majstore
Stilovi izvođača: Sjeverna renesansa
Životni vijek: 15 godina
Rođeni godine: 1467
Grad rođenja: Gent, Istočna Flandrija, Flandrija, Belgija
Godina smrti: 1482

© Autorska prava od | Artprinta (www.artprinta.com)

Muzejske specifikacije umjetničkih djela (© - Metropolitanski muzej umjetnosti - www.metmuseum.org)

Hugo van der Goes produced some of the most celebrated altarpieces of the Northern Renaissance. The heightened realism of this portrait, especially the beard stubble, is a hallmark of his work. By setting the man’s head against a dark interior, next to a bright window, the accentuated contrast of light and shadow enhances the modeling of the facial features. The portrait was later cut into an oval shape from a rectangular panel, which probably originally formed part of a devotional triptych. The sitter, with his hands joined in eternal prayer, directs his gaze toward the missing religious image.

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