Lovis Korint, 1913. - Tirolski krajolik s mostom - likovni otisak

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The moderna umjetnost umjetnički rad je naslikao moderan umjetnik Lovis Corinth. The 100 years old work of art was painted with the size: 95,5 x 120,5 cm - frame size: 118 x 143 x 11 cm and was painted with the medium ulje na platnu. "Signed and dated bottom center: LOVIS CORINTH / Tyrol 1913" is the painting's inscription. It is included in the Belvedere kolekcija. Ovo moderna umjetnost artpiece, which is in the public domain is being supplied with courtesy of © Belvedere, Vienna, inventory number: 2885. Creditline of the artwork: purchase from Charlotte Berend-Corinth, Berlin in 1929. The alignment is in landscape format s omjerom stranica 1.2: 1, meaning that the length is 20% longer than the width. The painter, sculptor, university teacher, graphic artist, drawer, lithographer Lovis Corinth was a European artist from Germany, whose art style can mainly be classified as Modern Art. The Modern artist lived for a total of 67 godina - rođeni godine 1858 u Gvardeysku, Kaliningradskaya oblast, Rusija i preminuo 1925. godine u Zandvoortu, Sjeverna Holandija, Nizozemska.

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• Metalni otisak (aluminijumski dio): This is a metal print manufactured on aluminium dibond material with a true depth - for a modern look and non-reflective surface structure. A direct Direct Print on Aluminum Dibond is the ideal introduction to the sophisticated world of art replicas made with aluminum. For our Print On Aluminum Dibond, we print the artwork onto the aluminium composite white-primed surface. The direct print on Aluminum Dibond is the most popular entry-level product and is a sophisticated way to display art reproductions, because it puts 100% of the viewer’s attention on the image.
• Štampanje od akrilnog stakla (sa pravim staklenim premazom): A glossy acrylic glass print, which is sometimes described as a plexiglass print, changes your chosen artwork into décor. Besides, the acrylic fine art print forms a great alternative option to canvas and dibond prints. The work of art is printed thanks to state-of-the-art UV direct printing technology. Our real glass coating protects your chosen art print against light and heat for many years.
• Štampa plakata (materijal na platnu): The poster is a UV printed canvas with a fine surface structure. Please note, that depending on the absolute size of the canvas poster print we add a white margin of something between 2-6 cm round about the work of art, which facilitates the framing with a custom frame.
• Otisak na platnu: The canvas print is a printed cotton canvas mounted on a wood stretcher. The great advantage of canvas prints is that they are relatively low in weight, which implies that it is easy and straightforward to hang the Canvas print without the help of additional wall-mounts. Canvas prints are suited for any kind of wall.

Pravna napomena: We try the best we can in order to depict our art products in as much detail as possible and to showcase them visually. Still, the tone of the print materials and the imprint may vary slightly from the image on the device's monitor. Depending on your screen settings and the nature of the surface, not all color pigments can be printed as exactly as the digital version. In view of the fact that all the fine art prints are printed and processed manually, there might also be minor discrepancies in the motif's exact position and the size.

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Strukturirani detalji umjetničkog djela

Brzi pregled umjetnika

© Autorska prava od | Artprinta (www.artprinta.com)

Dodatne informacije o umjetničkim djelima iz muzeja (© - Belvedere - belvedere)

Family Corinth spent the summer of 1913 in St. Ulrich in Val Gardena in today's South Tyrol, where also emerged two landscapes besides some portraits. The place was the family already known from the summer residence in 1911 ago, at the Corinth but apparently only painted a picture that even less specific reference to the source. In contrast, however, this is at the Tyrolean landscape with bridge - this is clearly the falling of Ortisei characteristic steep cliffs to see behind the Raschötzer ridge. The strikingly reduced for Corinth palette whose colors are repeated in this image without finely graded transitions suggests that Corinth has his picture painted directly outdoors in front of the bridge. Thus, not only the choice of colors, but also the extraordinary rapidity explains worked obviously in Corinth. [Dietrun Otten, 2009]