Thomas Cole, 1842 - Putovanje životom: starost - tisak

The 19th stoljeća slika sa naslovom The Voyage of Life: Old Age je naslikao muški umjetnik Thomas Cole. The artpiece is part of the art collection of National Gallery of Art located in Washington DC, Sjedinjene Američke Države. Drago nam je što možemo napomenuti da javnosti umjetničko djelo je pruženo ljubaznošću Nacionalna galerija umjetnosti, Washington.Kreditna linija za umjetničko djelo:. Uz ovo, poravnanje je pejzaž s omjerom stranica 3: 2, što znači to dužina je 50% duža od širine. The painter Thomas Cole was a North American artist from United States, whose style can mainly be assigned to Romanticism. The Romanticist painter was born in 1801 u Lancashireu, Engleska, Ujedinjeno Kraljevstvo, okrug i preminuo u dobi od godine 47 godine 1848. u Catskillu, okrug Greene, država New York, Sjedinjene Američke Države.

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• Otisak na platnu: A printed canvas applied on a wood frame. Canvas prints are relatively low in weight, which implies that it is quite simple to hang up your Canvas print without the help of additional wall-mounts. A canvas print is suited for all kinds of walls.
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• Otisak akrilnog stakla: A glossy print on acrylic glass, which is sometimes described as a print on plexiglass, will transform the original artwork into brilliant décor. In addition, the acrylic art print is a good alternative to aluminium or canvas prints. The artwork is being printed thanks to state-of-the-art UV direct printing machines. The great advantage of a plexiglass print is that sharp contrasts and granular details become recognizeable thanks to the granular tonal gradation of the print. Our acrylic glass protects your chosen fine art print against light and heat for up to 60 years.
• Metal (aluminijski dvobojni otisak): Aluminium Dibond prints are prints on metal with an outstanding depth effect. The white and bright parts of the artpiece shimmer with a silky gloss but without any glare.

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Original artwork specifications from National Gallery of Art (© - Nacionalna galerija umjetnosti - Nacionalna galerija umjetnina)

Cole's renowned four-part series traces the journey of an archetypal hero along the "River of Life." Confidently assuming control of his destiny and oblivious to the dangers that await him, the voyager boldly strives to reach an aerial castle, emblematic of the daydreams of "Youth" and its aspirations for glory and fame. As the traveler approaches his goal, the ever-more-turbulent stream deviates from its course and relentlessly carries him toward the next picture in the series, where nature's fury, evil demons, and self-doubt will threaten his very existence. Only prayer, Cole suggests, can save the voyager from a dark and tragic fate.

From the innocence of childhood, to the flush of youthful overconfidence, through the trials and tribulations of middle age, to the hero's triumphant salvation, The Voyage of Life seems intrinsically linked to the Christian doctrine of death and resurrection. Cole's intrepid voyager also may be read as a personification of America, itself at an adolescent stage of development. The artist may have been issuing a dire warning to those caught up in the feverish quest for Manifest Destiny: that unbridled westward expansion and industrialization would have tragic consequences for both man and nature.

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