Jan Siberechts, 1670 - Seljaci koji prelaze potok - grafika

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Ovo preko 350 godina staro umjetničko djelo s naslovom Peasants Crossing a Stream was created by Jan Siberechts in 1670. The version of the artpiece measures the dimensions: Uokvireno: 119 x 143 x 9 cm (46 7/8 x 56 5/16 x 3 9/16 in); Neuokvireno: 99,7 x 122,5 cm (39 1/4 x 48 1/4 in) i izrađen je na medijumu ulje na platnu. The original painting has the following text as inscrption: "signed lower left: "J. sibrechts. A. anvers."". Furthermore, this piece of art is included in the digital collection of Muzej umjetnosti u Clevelandu, koji je jedan od vodećih muzeja širom svijeta koji gradi, čuva, proučava i dijeli svoje izvanredne zbirke umjetnosti iz svih perioda i dijelova svijeta, stvarajući nove nauke i razumijevanje, dok služi kao društveno i intelektualno središte za svoju zajednicu. Uz ljubaznost: The Cleveland Museum of Art (javno vlasništvo). : Mr. and Mrs. William H. Marlatt Fund. Besides, the alignment is in pejzaž formatu i ima bočni omjer 1.2: 1, što znači da dužina je 20% duža od širine. Jan Siberechts was a male painter, ca., whose art style can primarily be attributed to Baroque. The Baroque painter lived for 86 years, born in 1627 u Antwerpenu, pokrajina Antwerpen, Flandrija, Belgija i preminuo 1713. godine u Londonu, Veliki London, Engleska, Ujedinjeno Kraljevstvo.

(© - Umjetnički muzej Cleveland - www.clevelandart.org)

The painting is characteristic of Jan Siberechts's Antwerp style, characterized by scenes with fords through which peasants wade with their cattle. The peasants wear simple but brightly colored attire and stand out against the cool green landscape. Flanked by overgrown foliage, the silver hues of the still stream shimmer with reflections. Over the course of his career, which included moving to London in 1672, Siberechts continued to use many of the same figures in his paintings, including Flemish peasant women carrying jugs, like the one seen in this painting. Likewise, his approaches to depicting animals, such as the cows seen here, changed very little over time and are ubiquitous throughout his oeuvre.

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• Štampanje postera (materijal na platnu): The poster print is a printed canvas paper with a slightly roughened surface finish, which resembles the actual artwork. Please keep in mind, that depending on the size of the poster print we add a white margin between 2-6cm around the work of art, which facilitates the framing with a custom frame.
• Otisak akrilnog stakla: A glossy acrylic glass print, often named a print on plexiglass, transforms your selected artwork into beautiful wall decoration. Your favorite artwork will be manufactured with the help of state-of-the-art UV print machines. This creates the image effect of deep, intense colors. The great benefit of an acrylic glass fine art print is that sharp contrasts as well as painting details will be identifiable thanks to the subtle tonal gradation.
• Aluminijski dvobojni otisak: These are metal prints on aluminium dibond material with an impressive effect of depth. A direct Aluminium Dibond Print is the best introduction to art replicas made with aluminum. The bright & white parts of the artwork shimmer with a silky gloss but without glow.
• Otisak na platnu: A canvas print is a printed cotton canvas mounted on a wood frame. Canvas prints are relatively low in weight, meaning that it is easy to hang up the Canvas print without the help of extra wall-mounts. Because of thatcanvas prints are suitable for any type of wall.

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Pravno odricanje odgovornosti: We try everything to depict the art products as exact as possible and to illustrate them visually on the various product detail pages. Nevertheless, the tone of the print materials and the printing might differ marginally from the presentation on your device's screen. Depending on the settings of your screen and the condition of the surface, not all color pigments will be printed as realisitcally as the digital version shown here. Considering that all art reproductions are printed and processed manually, there might also be slight discrepancies in the motif's exact position and the size.

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