J. Alden Weir, 1908 - Zgrada brane - grafika
Porez je uključen. Dostava obračunata na blagajni.
Detalji umjetničkog proizvoda
Remek-delo The Building of the Dam je kreirao korisnik J. Alden Weir in 1908. The version of the artwork was painted with the size of Framed: 93,5 x 118,5 x 7,5 cm (36 13/16 x 46 5/8 x 2 15/16 in); Unframed: 76 x 101,6 cm (29 15/16 x 40 in) and was made with the tehnika of ulje na platnu. Na remek-djelu je sljedeći tekst: signed lower right: "J. Alden Weir". Ovo umetničko delo možete pogledati u kolekciji Muzej umjetnosti u Clevelandu. We are glad to reference that this masterpiece, which is part of the public domain is included with courtesy of Muzej umjetnosti u Clevelandu. : Purchase from the J. H. Wade Fund. Furthermore, alignment of the digital reproduction is pejzaž i ima omjer 4: 3, što znači da je dužina 33% duža od širine.
Dostupni materijali proizvoda
Nudimo niz različitih materijala i veličina za svaki proizvod. Zbog toga vam dopuštamo da odaberete između sljedećih opcija:
- Otisak iz akrilnog stakla: A glossy print on acrylic glass, often referred to as a fine art print on plexiglass, will transform your favorite original into marvellous home decoration. Your work of art will be made with the help of state-of-the-art UV direct print technology. The major benefit of a plexiglass print is that sharp contrasts and minor details will be visible with the help of the delicate gradation.
- poster (materijal na platnu): The poster is a printed sheet of cotton canvas with a granular texture on the surface. The poster print is suited for framing the art replica in a custom frame. Please keep in mind, that depending on the size of the poster print we add a white margin of something between 2-6 cm round about the print, which facilitates the framing with a custom frame.
- Aluminijski otisak (aluminijski dibond): An Aluminium Dibond print is a print with an impressive depth effect. The bright and white parts of the original work of art shine with a silky gloss but without any glow. Colors are vivid and luminous, the fine details appear crisp, and you can notice a matte appearance of the fine art print.
- Otisak na platnu: A printed canvas, which should not be mistaken with a real artwork painted on a canvas, is a digital copy printed from a UV direct printing machine. Hanging your canvas print: Canvas prints are relatively low in weight, meaning that it is easy to hang up your Canvas print without extra wall-mounts. Canvas prints are suitable for any type of wall.
Važna pravna napomena: We try everything to describe our products with as many details as possible and to demonstrate them visually in our shop. Nonetheless, the pigments of the printing material, as well as the imprint might vary marginally from the representation on the device's screen. Depending on the screen settings and the nature of the surface, color pigments might not be printed as realistically as the digital version depicted here. Given that all our are printed and processed manually, there might as well be slight discrepancies in the motif's exact position and the size.
Specifikacije proizvoda
Klasifikacija proizvoda: | umetnička kopija |
Reprodukcija: | digitalna reprodukcija |
Način proizvodnje: | UV ispis / digitalni tisak |
Proizvodnja: | proizvedeno u Njemačkoj |
Vrsta zaliha: | proizvodnja na zahtjev |
Predložena upotreba proizvoda: | zidna umjetnost, umjetnička kolekcija (reprodukcije) |
Orijentacija: | poravnanje pejzaža |
Omjer slike: | dužina do širina 4: 3 |
Implikacija bočnog omjera: | dužina je 33% duža od širine |
Dostupni materijali: | otisak plakata (platneni papir), akrilni stakleni otisak (sa pravim staklenim premazom), otisak platna, metalni otisak (aluminijski dibond) |
Varijante na platnu (platno na okviru nosila): | 40x30cm - 16x12 ", 80x60cm - 31x24", 120x90cm - 47x35 ", 160x120cm - 63x47" |
Štampanje od akrilnog stakla (sa pravim staklenim premazom): | 40x30cm - 16x12 ", 80x60cm - 31x24", 120x90cm - 47x35 " |
Veličina štampe plakata (papir na platnu): | 40x30cm - 16x12 ", 80x60cm - 31x24", 120x90cm - 47x35 " |
Veličine aluminijskog dibonda (aluminijumski materijal): | 40x30cm - 16x12 ", 80x60cm - 31x24", 120x90cm - 47x35 " |
Uokvirivanje umjetničkim tiskom: | Nije dostupno |
Pozadinske informacije o umetniku
Naziv umjetničkog djela: | "The Building of the Dam" |
klasifikacija: | slika |
Umjetnička klasifikacija: | moderna umjetnost |
Privremena klasifikacija: | 20th stoljeća |
Godina: | 1908 |
Starost umjetničkog djela: | preko 110 godine |
Izvorni medij: | ulje na platnu |
Originalno umetničko delo: | Uokvireno: 93,5 x 118,5 x 7,5 cm (36 13/16 x 46 5/8 x 2 15/16 inča); Neuokvireno: 76 x 101,6 cm (29 15/16 x 40 in) |
Originalni umjetnički natpis: | signed lower right: "J. Alden Weir" |
Muzej / lokacija: | Muzej umjetnosti u Clevelandu |
Mjesto muzeja: | Cleveland, Ohio, Sjedinjene Američke Države |
Web stranica muzeja: | Muzej umjetnosti u Clevelandu |
Licenca za umjetničko djelo: | javnosti |
Ljubaznošću: | Muzej umjetnosti u Clevelandu |
Kreditna linija umjetničkih djela: | Kupovina iz JH Wade fonda |
Tabela sažetka izvođača
Ime izvođača: | J. Alden Weir |
Nacionalnost izvođača: | američki |
Poslovi: | slikar |
Zemlja porijekla: | Sjedinjene Države |
klasifikacija: | moderni umjetnik |
Lifetime: | 67 godina |
Godina rođenja: | 1852 |
Godina smrti: | 1919 |
© Autorska prava | Artprinta (www.artprinta.com)
Dodatne specifikacije na web mjestu muzeja (© Copyright - The Cleveland Museum of Art - Muzej umjetnosti u Clevelandu)
This painting shows the construction of the Scotland Dam, built between 1907 and 1909 on the Shetucket River near the artist's home in Windham, Connecticut. Unlike painters from the Ash Can School, such as John Sloan and George Bellows who tended to portray more sordid views of urban life, Weir hid a potentially ugly industrial scene behind trees and foliage. He used a silver palette with pastel blues and greens to mask the construction equipment behind a veil of natural beauty. Early in his career, Weir was interested in drawing and design and used a conservatively dark palette. Under the influence of his friends Albert Pinkham Ryder, John Henry Twachtman, and Theodore Robinson, the artist's palette lightened in the late 1880s, and by the 1890s he had developed his Impressionist style.