Paolo Veronese, 1588. - Krsno krštenje - grafika

u 1588 Paul Veronese oslikao klasična umjetnost artwork. Moveover, this work of art is in the the The J. Paul Getty Museum's collection, which is part of the J. Paul Getty trust and is one of the world's largest arts organizations worldwide. It seeks to inspire curiosity about, and enjoyment and understanding of, the visual arts by collecting, conserving, exhibiting, and interpreting works of art of outstanding quality and historical importance.. With courtesy of: The J. Paul Getty Museum (javno vlasništvo).Pored toga, umjetničko djelo ima kreditnu liniju: . Usklađivanje digitalne reprodukcije je u portret formatu i ima omjer 1: 1.2, što znači to dužina je 20% kraća od širine. The painter Paolo Veronese was an artist from Italy, whose style can mainly be assigned to Mannerism. The Italian artist was born in the year 1528 in Verona, Verona province, Veneto, Italy and deceased at the age of 60 godine 1588. u Veneciji, provincija Venezia, Veneto, Italija.

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• Štampanje od akrilnog stakla (sa pravim staklenim premazom): A glossy print on acrylic glass, which is sometimes referred to as a an art print on plexiglass, makes the original work of art into home décor. The work of art is printed with the help of modern UV print machines. The special effect of this are vivid and impressive colors. Our acrylic glass protects your chosen fine art print against sunlight and external influences for many years.
• Aluminijski dvobojni otisak: An Aluminium Dibond print is a material with an impressive effect of depth. The non-reflective surface structure make a modern impression. A direct Aluminium Dibond Print is your excellent introduction to fine art reproductions with aluminum. For our Direct Aluminium Dibond print, we print the work of art right onto the aluminium white-primed surface. The bright parts of the artwork shine with a silky gloss but without the glare.
• poster (materijal na platnu): A poster is a printed flat cotton canvas with a slight texture on the surface, that resembles the actual version of the work of art. Please note, that depending on the absolute size of the poster print we add a white margin 2-6cm round about the painting in order to facilitate the framing with your custom frame.
• Platno: A printed canvas, not to be confused with an artwork painted on a canvas, is a digital copy printed onto canvas fabric. Besides, canvas generates a cosy, warm appearance. A canvas print has the advantage of being low in weight. That means, it is easy to hang your Canvas print without the use of any wall-mounts. Hence, canvas prints are suited for any kind of wall.

Pravno odricanje odgovornosti: We try to depict our products as exact as possible and to showcase them visually. Please bear in mind that the pigments of the print products and the printing may vary to a certain extent from the representation on the device's screen. Depending on your screen settings and the quality of the surface, colors might not be printed as exactly as the digital version shown here. Considering that all our are printed and processed by hand, there might as well be minor deviations in the motif's size and exact position.

Detalji strukturiranog članka

Osnovne informacije o jedinstvenom umjetničkom djelu

Umetnik

Ovaj tekst je zaštićen autorskim pravima © - Artprinta.com (Artprinta)

Informacije o umjetničkim djelima dobivene iz muzeja (© - Muzej J. Paul Getty - Muzej J. Paul Gettyja)

painting by Paolo Veronese (Paolo Caliari) and workshop

In a difficult, graceful pose, Christ leans his upper body forward, his arms extended so that one reaches towards the viewer and the other touches Saint John the Baptist's side. His head is bowed and his torso is muscular and sculpturally modeled. Standing on the shore of the Jordan River, Saint John leans back slightly as he pours water onto Christ's head. Above, divine light from the Holy Spirit in the form of a dove illuminates Christ. Below, three angels in various poses witness the act.

Paolo Veronese used rich, luminous color and vibrant light to animate the scene. In the lush landscape, trees frame the composition and lean away to either side to reveal the open area in the middle. Saturated pinks, greens, and other high-pitched colors enrich the natural world surrounding the holy figures. Behind, the sky is broken into areas of color: blue near the horizon, pink in the center, and gray-green near the top.