Anonimno, 1645. - Pogled na Pariz s kavalirskim konjičkim portretom Pepina des Essartsa. - likovni tisak

View of Paris with the cavalier equestrian portrait of Pepin des Essarts. naslikao stari majstor anoniman kao svoju jedinstvenu umjetničku kopiju

Remek-delo View of Paris with the cavalier equestrian portrait of Pepin des Essarts. je napravio slikar anoniman. Originalno umjetničko djelo ispisano je sljedećim podacima: Registration - The front, top left in the phylactery "MIL YEAR THREE HUNDRED CINQVANTE Hvit, DV REIGN IEAN ROY DE FRANCE / LE PREVOST marchans OF THE CITY OF PARIS AND LAYANT VENDVE VOVLANT / DELIVER AND BASTILLE. LA PORTE ST DENIS IOSERAN MASCON TREASURER DV / KING Navare, IEAN SIMON AND IF opposed MALLIARDS: BUT LIGHT The OBS = / tination THIS treacherous FRANCOIS THEY PRINRENT BANIERE THE FRANCE AND SE / shouted, ST DENIS MONTIOYE . THIS THE CRY Tovt PEVPLE SE SOVLEVA. / MESME IN TIME OF PEPIN ESSARS FIT THE CHEVALIER MESME THING IN HIS / CARTIER. QVOY QV'IL SCEVT DO NOTHING OF THE EXECVTION MAILLARDS. = AS / AS IF THESE MENT QVE THREE GENEREVX FRANCOIS EVSSENT ESTE INSPIRED / EC OF GOD POVR GLORIEVX Desein, they acted IF COVRAGEVSEMENT QV'ILS / prevented QVE DOORS BY OV LENNEMY ought NOT ENTER FVSENT / OVVERTE. EC CY IS BASED FOREST IN BEAUTIFUL LIFE FIRST IEAN / BOOK PAGE FIVE HUNDRED nINETY THREE HVICT. NICOLLE Gille / FROISSART, AND THE OAS Plement OF GVILLAVME NANGIS TO MAKE / MENTION IN LEVRS STORIES. ". What is more, the work of art forms part of the Musée Carnavalet Paris's collection. With courtesy of: Musée Carnavalet Pariz (licenca - javno vlasništvo). Kreditna linija umjetničkog djela je sljedeća:. Osim toga, usklađivanje digitalne reprodukcije je u pejzaž format i ima omjer 2: 1, što znači to dužina je dva puta duža od širine.

Originalni opis umjetničkog djela iz muzeja (© Copyright - Musée Carnavalet Paris - Musée Carnavalet Pariz)

Painting probably executed from an engraving and a member of the family Essarts. The long inscription commemorates the role played by Pepin des Essarts in defense of Paris during the betrayal of Etienne Marcel, in 1358.

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