John Brett, 1888 - Kynance - grafička grafika

Dodatni opis Muzej umjetnosti Metropolitan (© - Metropolitanski muzej umjetnosti - www.metmuseum.org)

Brett was influenced by the work of the Pre-Raphaelites and the writings of John Ruskin. He specialized in views of sea and sky and coastal subjects, and was known for detailed, accurate depictions of the natural world such as this one. Kynance Cove lies north and west of Lizard Head, the furthest southwest point in Cornwall. Brett, a yachtsman, doubtless reached Kynance by sea, as in the 1870s and 1880s he spent his summers sailing the coast.

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Pojedinosti o umjetničkom proizvodu

In 1888 John Brett stvorio ovo 19th stoljeća umetničko delo. Ono izvan 130 original star godinu dana mjeri veličinu (7 x 14 cm) 1 x 8 17,8/35,9 in and was painted on the medium oil on canvas. This work of art forms part of the digital art collection of The Metropolitan Museum of Art. The moderna umjetnost javnosti remek-djelo je pruženo ljubaznošću The Metropolitan Museum of Art, New York, Bequest of Theodore Rousseau Jr., 1973. Creditline of the artwork: Bequest of Theodore Rousseau Jr., 1973. On top of that, alignment is in pejzaž format i ima omjer slike 2: 1, što znači da dužina je dva puta duža od širine. John Brett was a astronomer, painter, whose artistic style can primarily be attributed to Pre-Raphaelite Brotherhood. The Pre-Raphaelite painter was born in the year 1831 in Reigate, Surrey, England, United Kingdom and passed away at the age of 71 in the year 1902.

Pravno odricanje odgovornosti: We try our best in order to depict the art products as closely as possible and to illustrate them visually in our shop. However, the colors of the printing material, as well as the imprint can vary somehwat from the image on the device's screen. Depending on your screen settings and the quality of the surface, not all colors will be printed as exactly as the digital version shown here. Because all are processed and printed manually, there may also be slight variations in the size and exact position of the motif.

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