George Bellows, 1916. - Dolazeća oluja - grafički prikaz

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Notes from the Curator: In 1911 Bellows began to summer in Maine. During his visits there, until 1916, he moved increasingly away from the almost exclusively urban subject matter of his early career and turned toward landscape painting. The Coming Storm was painted during June 1916, when Bellows and his family were summering in remote Camden, Maine, with LEON KROLL. Early in their stay they were visited almost daily with storms, and Bellows’s paintings from June and July are among his most dramatic in their contrast and energetic brushwork. By this time he was systematically using the Maratta palette, and The Coming Storm is fairly strong in color despite its overcast tonality. In his record book the artist indicated the color scheme for his painting as follows: Yellow-Green 13.9.5.3.1, Yellow 11-7, Green 11, Green-Blue 9.1, Blue-Purple 9, Orange-Yellow 1, Red-Purple 5, Red-Orange 5 [colors indicated by initials in original] The numbers by each of the abbreviations of color names refer to the value of the hue that Bellows used. This system of assigning numbers to color values was established at a meeting in 1915 at which Bellows, Maratta, and others were present and which resulted in a chart of colors and values. It was one of several elaborations of the Maratta color system worked out in Henri’s circle.

Notes from the Contributor: Painting by George Bellows (Museum: Los Angeles County Museum of Art)

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Specifikacije modernog umjetničkog djela pod nazivom The Coming Storm

The Coming Storm je umjetničko djelo koje je stvorila američki painter George Bellows in 1916. The original version measures the size: 26 1 × 2 cm (32/1 × 16 67,31/81,44 in) i slikana je na mediju ulje na platnu. Nadalje, umjetničko djelo pripada Muzej umjetnosti okruga Los Angeles kolekcija. Moderna umjetnost javnosti remek-djelo je pruženo ljubaznošću Muzej umjetnosti okruga Los Angeles (www.lacma.org).Također, umjetničko djelo ima sljedeću kreditnu liniju:. Poravnanje digitalne reprodukcije je u pejzaž format s omjerom slike 1.2: 1, što znači da dužina je 20% duža od širine.

Important information: We try what we can to describe our products as exact as possible and to display them visually. Nonetheless, the colors of the printing material, as well as the printing can vary slightly from the presentation on your device's monitor. Depending on your screen settings and the condition of the surface, color pigments may not be printed as realistically as the digital version. Bearing in mind that all art reproductions are processed and printed by hand, there may as well be slight discrepancies in the motif's exact position and the size.

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