Thomas Gainsborough, 1785. - Portret Williama Anne Hollis, 4. grofa od Essexa - grafički prikaz

59,99 €

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Portrait of William Anne Hollis, 4th Earl of Essex is a piece of art by the rococo British artist Thomas Gainsborough 1785. godine. Moveover, ovo umjetničko djelo pripada Muzej J. Paul Getty digitalna kolekcija u Los Angeles, Kalifornija, Sjedinjene Američke Države. Uz ljubaznost - Muzej J. Paul Gettyja (license - public domain).: . In addition to that, the alignment of the digital reproduction is landscape with an aspect ratio of 1.2 : 1, meaning that dužina je 20% duža od širine. The painter Thomas Gainsborough was an artist from the United Kingdom, whose style can be attributed mainly to Rococo. The British artist lived for a total of 61 godina i rođen je godine 1727 u Sudburyju, Suffolk, Engleska, Ujedinjeno Kraljevstvo i preminuo 1788.

Materijali proizvoda koje naši kupci mogu odabrati

Za svaki proizvod nudimo niz različitih veličina i materijala. Sljedeće veličine i materijali su opcije koje vam nudimo za individualizaciju:

  • Štampanje od akrilnog stakla (sa pravim staklenim premazom): A glossy acrylic glass print, often denoted as a UV print on plexiglass, makes your chosen original work of art into lovely décor. The work of art is made with the help of state-of-the-art UV direct print machines. This creates the impression of sharp, vibrant colors.
  • Otisak plakata (materijal na platnu): A poster is a printed canvas paper with a nice surface finish, that reminds the original work of art. Please bear in mind, that depending on the absolute size of the poster we add a white margin of something between 2-6cm around the artwork, which facilitates the framing with your custom frame.
  • Aluminijski dibond: An Aluminium Dibond print is a print material with a true effect of depth. A non-reflective surface structure make a fashionable impression. For the Direct Aluminium Dibond print, we print the artpiece on the surface of the white-primed aluminum.
  • Otisak na platnu: A canvas print is a printed cotton canvas stretched on a wooden frame. Also, a printed canvas makes a nice and appealing impression. Canvas prints are relatively low in weight, which implies that it is easy and straightforward to hang the Canvas print without additional wall-mounts. A canvas print is suited for any type of wall.

Važna informacija: We try our utmost in order to depict the art products as clearly as possible and to display them visually on the product detail pages. However, the pigments of the print products, as well as the print result might differ marginally from the image on your monitor. Depending on the screen settings and the quality of the surface, color pigments might not be printed as exactly as the digital version. Considering that all our are processed and printed by hand, there might as well be minor discrepancies in the size and exact position of the motif.

Detalji o proizvodu

Klasifikacija proizvoda: umjetnička reprodukcija
Način reprodukcije: reprodukcija u digitalnom formatu
Tehnika izrade: digitalna štampa
Proizvodnja: proizvedeno u Njemačkoj
Vrsta zaliha: na zahtjev
Predložena upotreba proizvoda: zidna galerija, galerijski zid
Poravnanje slike: pejzažni format
Omjer: 1.2: 1 - dužina: širina
Implikacija: dužina je 20% duža od širine
materijali: otisak akrilnog stakla (s pravim staklenim premazom), metalni otisak (aluminijski dibond), otisak plakata (platneni papir), otisak platna
Platno na okviru nosila (print na platnu) veličine: 60x50cm - 24x20 ", 120x100cm - 47x39", 180x150cm - 71x59 "
Opcije veličine akrilnog stakla (sa pravim staklenim premazom): 60x50cm - 24x20 ", 120x100cm - 47x39", 180x150cm - 71x59 "
Opcije štampe plakata (platneni papir): 60x50cm - 24x20 ", 120x100cm - 47x39"
Opcije veličine štampe od aluminijumskog dibonda: 60x50cm - 24x20 ", 120x100cm - 47x39"
Uokvirivanje umjetničke reprodukcije: Nije dostupno

Umetničko delo

Naziv slike: "Portrait of William Anne Hollis, 4th Earl of Essex"
Kategorizacija: slika
Opšti pojam: klasična umjetnost
Umjetničko stoljeće: 18th stoljeća
Godina stvaranja: 1785
Doba umjetničkih djela: preko 230 godina
Muzej: Muzej J. Paul Gettyja
Lokacija muzeja: Los Angeles, Kalifornija, Sjedinjene Američke Države
Web stranica muzeja: Muzej J. Paul Gettyja
Licenca za umjetničko djelo: javnosti
Ljubaznošću: Muzej J. Paul Gettyja

Strukturirane informacije o izvođaču

Ime izvođača: Thomas Gainsborough
Ostala imena: Thomas Gainsborough, Gainsboroagh, gainsborough t., gainsborough thomas, Gainsboro, Thomas Gainsbro, Geĭnsboro Tomas, Gainsboro Thomas, th. gainsborough, Gainsbrough, Geĭnzbŭro Tomas, Mr. Gainsborough, T. Gainsborough, Gainsborough Thomas, Gainsborouh, Gainsborough &amp, T. Gainsbro, Gainsborough, Gainsbro', Gainsbury, thos. gainsborough, Gainsbro Thomas, T Gainsborough RA, Gainsbro, c., Gainsboro'
Pol izvođača: muški
Nacionalnost izvođača: Britanci
Poslovi: slikar
Zemlja porijekla: Ujedinjeno Kraljevstvo
Kategorija izvođača: stari majstore
Likovni stilovi: rokoko
Životni vijek: 61 godina
Godina rođenja: 1727
Mjesto rođenja: Sudbury, Suffolk, Engleska, Ujedinjeno Kraljevstvo
Umro: 1788
Mjesto smrti: London, Veliki London, Engleska, Ujedinjeno Kraljevstvo

© Autorsko pravo, Artprinta (www.artprinta.com)

Dodatne specifikacije od muzeja J. Paul Getty (© - Muzej J. Paul Getty - www.getty.edu)

Thomas Gainsborough painted the fourth Earl of Essex presenting a silver cup to Thomas Clutterbuck, a member of a prominent local family and also sheriff of the English county of Hertfordshire. In a letter to Clutterbuck that originally accompanied the cup, the Earl of Essex expressed his gratitude and regard for his friend:

It has long been my inclination to give you a small token of the regard I have for you, and hope this Cup which I desire y[ou]r acceptance of, will be agre[e]able to you, & that you will consider it as a small token, or proof how much I think myself indebted to you, & of an esteem which I shall always retain.

In 1784 the Earl of Essex commissioned the painting by Gainsborough to commemorate the presentation of the cup, which had actually taken place twelve years earlier. He then gave the painting to Clutterbuck. The two families maintained close ties throughout the nineteenth century, and the silver cup is still in the Clutterbuck family's possession. The painting, although it was paid for by the earl, also remained with the family until the Getty Museum purchased it in 1972.

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