Jacob Grimer, 1570. - Groblje i crkva Nevina - grafika

59,99 €

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Detalji umjetničkog proizvoda

ovo 16th stoljeća umjetničko djelo nazvano The cemetery and the church of the Innocents je naslikao umjetnik Jacob Grimer in 1570. The 450 year-old version of the artwork has the size of Visina: 60 cm, širina: 50 cm. Registration - In the back of the painting reads: "Comes from the Bonnardot al." was the painting's original inscription. Nowadays, the artpiece can be viewed in in the Musée Carnavalet Paris's digital collection, which is a museum dedicated to the history of the city Paris. This classic art masterpiece, which belongs to the public domain is included with courtesy of Musée Carnavalet Pariz.: . On top of that, alignment is portrait with a ratio of 1 : 1.2, which implies that dužina je 20% kraća od širine.

What does the original artwork description of the Musée Carnavalet Paris write about the 16th century work of art from the painter Jacob Grimer? (© Autorska prava - Musée Carnavalet Paris - Musée Carnavalet Pariz)

Cemetery of the Innocents, current 1st district. Urban landscape. Genre scene. From left to right: the arcades of the mass grave north side and houses on the street with Irons (Berger current street), the préchoir, the apse of the Church of the Holy Innocents, the tower Notre-Dame-des-Bois, the arcades mass grave south side and the houses of the street of the ironwork. At bottom right, the bell tower of the church of Saint-Jacques de la Boucherie.

The existence of the Innocents cemetery dates back at least to the Middle Ages (the discovery of Merovingian sarcophagi attests). It had the shape of a parallelogram including the longest length between the streets Irons (current Berger Street) and the ironwork and the short sides between Saint-Denis and Lingerie (now Rue Pierre Lescot). In 1571, the cross Gastine was transferred to the cemetery; it is not shown here (regardless of dating). The cemetery and the church were destroyed in 1786.

Osnovne informacije o umjetničkom djelu

Naziv slike: "The cemetery and the church of the Innocents"
Klasifikacija djela: slika
Krovni pojam: klasična umjetnost
period: 16th stoljeća
Godina stvaranja: 1570
Starost umjetničkog djela: preko 450 godina
Originalno umetničko delo: Visina: 60 cm, širina: 50 cm
Potpis: Registration - In the back of the painting reads: "Comes from the Bonnardot al."
Muzej: Musée Carnavalet Pariz
Lokacija muzeja: Pariz, Francuska
Web stranice: Musée Carnavalet Pariz
Licenca za umjetničko djelo: javnosti
Ljubaznošću: Musée Carnavalet Pariz

Opšte informacije o umjetniku

ime: Jacob Grimer
Zanimanja: slikar
Kategorija izvođača: stari majstore
Životni vijek: 63 godina
Rođen: 1526
Grad rođenja: Antwerpen (Antwerpen)
Godina smrti: 1589
Umro u (mjestu): Antwerpen (Antwerpen)

Odaberite željeni materijal

Za svaki proizvod nudimo niz različitih materijala i veličina. Zbog toga vam dopuštamo da odaberete između sljedećih opcija:

  • Platno: The canvas print, which shall not be mistaken with a canvas painting, is an image printed on an industrial printing machine. A canvas creates a particular look of three dimensionality. A printed canvas of this artpiece will provide you with the chance of transforming your into a large artpiece. Canvas prints are relatively low in weight, which means that it is quite simple to hang the Canvas print without the use of any wall-mounts. Because of thata canvas print is suitable for any kind of wall.
  • Otisak akrilnog stakla (sa pravim premazom od stakla na vrhu): An acrylic glass print, often named a print on plexiglass, will convert your artwork into marvellous décor. Your artwork is printed with the help of state-of-the-art UV direct print machines. It creates vivid and deep print colors. The acrylic glass protects your chosen art replica against sunlight and external influences for decades.
  • Ispis postera (materijal na platnu): A poster print is a UV printed canvas with a slight structure on the surface. It is perfectly designed for putting your fine art print using a custom frame. Please note, that depending on the size of the poster we add a white margin between 2 - 6cm round about the print motif, which facilitates the framing.
  • Metalni otisak (aluminijumski dio): Aluminium Dibond prints are prints on metal with an outstanding depth. A direct Aluminium Dibond Print is the best start to art replicas with aluminum. The bright components of the work of art shine with a silk gloss, however without the glow. Colors are bright and luminous, the details of the print are crisp and clear.

O članku

Kategorizacija proizvoda: reprodukcija likovne umjetnosti
Metoda reprodukcije: reprodukcija u digitalnom formatu
Tehnika proizvodnje: UV direktno tiskanje
Podrijetlo proizvoda: proizvedeno u Njemačkoj
Vrsta zaliha: proizvodnja na zahtjev
Predložena upotreba proizvoda: zidna umjetnost, dizajn kuće
Orijentacija slike: portretni format
Omjer: 1: 1.2 (dužina: širina)
Značaj odnosa slike: dužina je 20% kraća od širine
Izbor materijala predmeta: otisci na platnu, metalni otisak (aluminijski dibond), otisak akrilnog stakla (s pravim staklenim premazom), otisak plakata (platneni papir)
Opcije platna na okviru nosila (otisak platna): 50x60cm - 20x24 ", 100x120cm - 39x47", 150x180cm - 59x71 "
Opcije štampe na akrilnom staklu (sa pravim premazom od stakla): 50x60cm - 20x24 ", 100x120cm - 39x47"
Veličina štampe plakata (papir na platnu): 50x60cm - 20x24 ", 100x120cm - 39x47"
Opcije veličine aluminijumskog tiska (aluminijumski materijal): 50x60cm - 20x24 ", 100x120cm - 39x47"
Ram za sliku: bez okvira

Važna informacija: We do whatever we can to describe our art products as accurate as possible and to illustrate them visually. At the same time, the colors of the printing material, as well as the printing might differ somehwat from the representation on your device's monitor. Depending on the screen settings and the condition of the surface, color pigments may not be printed one hundret percent realistically. Given that all our are processed and printed manually, there might also be slight deviations in the motif's exact position and the size.

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