Franz Anton Maulbertsch (Umkreis), 1755. - Alegorija zlatnog doba - likovni otisak

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Ovo remek-djelo iz 18. stoljeća slikao je slikar Franz Anton Maulbertsch (Umkreis). Verzija umjetničkog djela mjeri veličinu: 56 x 72 cm - dimenzije okvira: 69 x 85 x 6 cm. Ulje na platnu was applied by the painter as the technique for the masterpiece. The artpiece forms part of the collection of Belvedere. With courtesy of - © Belvedere, Beč, inventarni broj: 1481 (javno vlasništvo). Kreditna linija umjetničkog djela je: otkupljena u Galeriji Dr. Otto Cheerful, Beč 1912. godine. Dalje, poravnanje digitalne reprodukcije je pejzaž i ima bočni omjer 4: 3, meaning that the length is 33% longer than the width. The painter Franz Anton Maulbertsch (Umkreis) was an artist, whose style was mainly Baroque. The Baroque painter was born in 1724 in Langenargen, Lake Constance and deceased at the age of 72 godine 1796. u Beču.

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The product dropdown menu gives you the chance to select the size and material of your choice. Choose among the following product options now to match your preferences in size and material:

• Štampa plakata (materijal na platnu): The Artprinta poster is a UV printed canvas paper with a slight surface finish, which reminds the original artwork. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin between 2-6cm around the print motif, which facilitates the framing with your custom frame.
• Platno: The printed canvas, which should not be mistaken with an artwork painted on a canvas, is a digital replica printed on a UV direct printing machine. A printed canvas of this artwork will let you turn your custom fine art print into a large size collection piece like you know from art galleries. Canvas prints are relatively low in weight, which implies that it is easy and straightforward to hang up your Canvas print without additional wall-mounts. A canvas print is suitable for any kind of wall.
• Otisak akrilnog stakla: An acrylic glass print, which is often described as a print on plexiglass, will transform the original work of art into beautiful décor.
• Aluminijski dibond: This is a metal print manufactured on aluminium dibond material with an outstanding depth effect - for a modern look and non-reflective surface. For our Direct Print On Aluminum Dibond, we print your work of art right onto the surface of the aluminum material. The colors of the print are luminous and vivid in the highest definition, fine details are crisp.

Pravno odricanje odgovornosti: We try our best in order to describe our products as accurate as we can and to display them visually on the product detail pages. Nonetheless, the colors of the print products and the imprint may vary somehwat from the presentation on the device's screen. Depending on the settings of your screen and the nature of the surface, not all color pigments are printed one hundret percent realistically. Because all our are printed and processed manually, there may as well be minor variations in the motif's exact position and the size.

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What does the original artwork description of the Belvedere say about the artwork made by Franz Anton Maulbertsch (Umkreis)? (© - by Belvedere - belvedere)

As early as 1750/1752 led Maulbertsch the large-format ceiling painting "Allegory of the Four Seasons" for the castle Kirchstetten in Lower Austria from. Our image has been classified in the literature mostly as earlier design for the enrichment content in the course as a composer learned. In the bottom center of Neptune can be seen with the trident and sea horses. To the right are Ceres, the goddess of agriculture, as well as a fat Bacchusknabe and two putti with Flail and mow. hunting goddess Diana, who is accompanied by a girl with basket of fruit on this group rises. Again, hovering above Flora, the goddess of prosperity, while its left in pale colors Saturn, the god of agriculture and time appears. By the prominence this figure his role as the founder of the Golden Age (lat. Saturnia regna) is emphasized here, thereby the people prosperity and peace granted. In the Städel Art Institute in Frankfurt, a variant has received on this subject, which is now classified as a work of an artist from the Mildorfer perimeter. Even with the allegory of the four seasons is probably neither a draft Kirchstetten, nor a work of Maulbertsch's hand. As the figures of Neptune and Ceres, however, clearly spring from the repertoire of motifs Maulbertsch, this paraphrasing representation may have been created by a painter from his circle. [Georg Lechner, 10/2009]