Hubert Robert, 1784. - Usta špilje - grafika
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In the year 1784 the male French artist Hubert Robert painted this artwork. The original version measures the size - 68 3/4 x 31 1/4 in (174,6 x 79,4 cm). Oil on canvas was used by the painter as the technique for the painting. Today, this piece of art is included in the Muzej umjetnosti Metropolitan collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. This public domain piece of art is being supplied with courtesy of Muzej umjetnosti Metropolitan, New York, dar J. Pierponta Morgana, 1917. Moreover, the artpiece has the following creditline: Gift of J. Pierpont Morgan, 1917. Besides, the alignment of the digital reproduction is portrait and has a side ratio of 1: 2, što to implicira dužina je 50% kraća od širine. The curator, painter Hubert Robert was an artist, whose style can primarily be classified as Rococo. The painter was born in 1733 in Paris, Ile-de-France, France and deceased at the age of 75 godine 1808. u Parizu, Ile-de-France, Francuska.
Koji materijal proizvoda najviše volite?
Za svaki proizvod nudimo niz različitih veličina i materijala. Stoga vam omogućavamo da odaberete između sljedećih opcija:
- Ispis postera (materijal na platnu): Our poster is a printed canvas with a slightly rough surface finish. It is excellently designed for placing the art replica in a custom-made frame. Please bear in mind, that depending on the size of the poster we add a white margin of something between 2-6cm round about the print to facilitate the framing with your custom frame.
- Tiskano akrilno staklo (sa pravim staklenim premazom): The print on acrylic glass, often described as a plexiglass print, transforms the original into brilliant wall decoration and forms a distinct alternative to aluminium and canvas fine art replicas. The work of art is made thanks to the help of modern UV direct print machines. The great upside of a plexiglass fine art print is that sharp contrasts plus smaller image details will be identifiable due to the very fine gradation in the print. The acrylic glass protects your selected art print against sunlight and heat for decades.
- Aluminijski otisak (aluminijski dibond): An Aluminium Dibond print is a print with an impressive depth. For the Direct Aluminium Dibond print, we print your favorite artpiece right onto the surface of the white-primed aluminum composite. The colors are luminous, the details are very clear, and there’s a matte look you can literally feel.
- Otisak na platnu: A UV printed canvas material stretched on a wooden stretcher frame. Canvas Prints have the great advantage of being low in weight, meaning that it is quite simple to hang your Canvas print without the support of extra wall-mounts. Canvas prints are suited for any kind of wall.
odricanje od odgovornosti: We try the best we can to describe our art products as accurately as possible and to illustrate them visually. At the same time, the pigments of the printing material and the printing may vary marginally from the presentation on the monitor. Depending on the settings of your screen and the condition of the surface, not all colors will be printed as exactly as the digital version on this website. Because our art reproductions are printed and processed by hand, there may also be slight differences in the size and exact position of the motif.
Informacije o strukturiranim stavkama
Kategorizacija članka: | zidna umetnost |
Način reprodukcije: | digitalna reprodukcija |
Tehnika proizvodnje: | UV direktno tiskanje |
produkcija: | proizvedeno u Njemačkoj |
Vrsta zaliha: | na zahtjev |
Predviđena upotreba proizvoda: | zidna galerija, zidni dekor |
Orijentacija: | portretni format |
Odnos strane: | (dužina: širina) 1: 2 |
Interpretacija omjera: | dužina je 50% kraća od širine |
Dostupne varijante: | print na akrilnom staklu (s pravim staklenim premazom), otisak na platnu, metalni otisak (aluminijski dibond), otisak plakata (platneni papir) |
Platno na okviru nosila (print na platnu) varijante veličine: | 20x40cm - 8x16 ", 30x60cm - 12x24", 40x80cm - 16x31 ", 50x100cm - 20x39" |
Opcije štampe na akrilnom staklu (sa pravim premazom od stakla): | 20x40cm - 8x16 ", 30x60cm - 12x24", 40x80cm - 16x31 ", 50x100cm - 20x39" |
Varijante štampe plakata (papir na platnu): | 30x60cm - 12x24 ", 40x80cm - 16x31", 50x100cm - 20x39 " |
Varijante aluminijumskog tiska (aluminijski dibond materijal): | 20x40cm - 8x16 ", 30x60cm - 12x24", 40x80cm - 16x31 ", 50x100cm - 20x39" |
Uokvirivanje umjetničkim tiskom: | Nije dostupno |
Pojedinosti o umjetničkom djelu
Naziv umjetničkog djela: | "The Mouth of a Cave" |
Kategorizacija umjetničkog djela: | slika |
Opšti pojam: | klasična umjetnost |
vrijeme: | 18th stoljeća |
Godina rada: | 1784 |
Doba umjetničkih djela: | preko 230 godine |
Izvorni medij umjetničkog djela: | ulje na platnu |
Originalna veličina: | 68 / 3 x 4 cm |
Izloženo u: | Metropolitanski muzej umetnosti |
Mjesto muzeja: | New York City, New York, Sjedinjene Američke Države |
Dostupno pod: | Metropolitanski muzej umetnosti |
Licenca za umjetničko djelo: | javnosti |
Ljubaznošću: | Muzej umjetnosti Metropolitan, New York, dar J. Pierponta Morgana, 1917 |
Kreditna linija umjetničkih djela: | Poklon J. Pierponta Morgana, 1917 |
Umetnik
Umjetnik: | Hubert Robert |
Ostala imena: | Robert des Ruines, Robarts Hubert, Robert Hubert des Ruines, Hubert Robert, Roberts Hubert, Robart Hubert, Robert Hubert |
Pol umjetnika: | muški |
Nacionalnost: | francuski |
Poslovi: | kustos, slikar |
država: | Francuska |
klasifikacija: | stari majstore |
Styles: | rokoko |
Preminuo u dobi: | 75 godina |
Godina rođenja: | 1733 |
Rođen (mjesto): | Pariz, Il de Frans, Francuska |
Umro: | 1808 |
Umro u (mjestu): | Pariz, Il de Frans, Francuska |
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(© Copyright - Metropolitanski muzej umjetnosti - Metropolitanski muzej umetnosti)
From a set of six paintings made for the salle des bains of the comte d'Artois, Louis XVI's youngest brother, at the château de Bagatelle near Paris. Robert signed The Mouth of the Cave and dated it 1784 when he restored it from damage probably caused by dampness.