Caravaggio, 1610. - Poricanje Svetog Petra - grafika

Opći opis iz muzeja (© Copyright - Metropolitan Museum of Art - www.metmuseum.org)

Caravaggio’s late works depend for their dramatic effect on brightly lit areas standing in contrast to a dark background. The picture, a marvel of narrative concision, was painted in the last months of Caravaggio’s tempestuous life and marks an extreme stage in his revolutionary style. Standing before a fireplace, Peter is accused of being a follower of Jesus. The pointing finger of the soldier and two fingers of the woman allude to the three accusations and to Peter’s three denials. In 1613 the painting belonged to Guido Reni, who received it from the engraver Luca Ciamberlano as compensation for debts.

objašnjenje

In 1610 Caravaggio made this classic art work of art Poricanje Svetog Petra. The more than 410 year old original measures the size: 37 x 49 3/8 in (94 x 125,4 cm). Ulje na platnu was used by the painter as the technique for the piece of art. The artpiece can be viewed in in the digital art collection of The Metropolitan Museum of Art in New York City, New York, Sjedinjene Američke Države. Sa zadovoljstvom možemo spomenuti da je umjetničko djelo koje pripada javnosti je uključen uz uslugu The Metropolitan Museum of Art, New York, Gift of Herman and Lila Shickman, and Purchase, Lila Acheson Wallace Gift, 1997. Creditline of the artwork: Gift of Herman and Lila Shickman, and Purchase, Lila Acheson Wallace Gift, 1997. The alignment of the digital reproduction is in landscape format sa omjerom 4: 3, što znači to dužina je 33% duža od širine. Caravaggio was a male painter of Italian nationality, whose style was primarily Baroque. The Italian artist was born in 1571 i umro u dobi od 39 u godini 1610.

Materijali koji se mogu izabrati

Nudimo niz različitih materijala i veličina za svaki proizvod. Sljedeće veličine i materijali su opcije koje vam nudimo za individualizaciju:

• Aluminijski dvobojni otisak: An Aluminium Dibond print is a print material with a true depth effect. For the Aluminium Dibond print, we print the chosen artwork on the surface of the white-primed aluminum composite. The bright parts of the original artpiece shine with a silk gloss, however without glow. The direct UV print on Aluminum Dibond is one of the most demanded entry-level products and is a truly stylish way to showcase art prints, because it draws attention on the whole artwork.
• Ispis na platnu: A printed canvas, not to be confused with a real painting on a canvas, is a digital replica printed on an industrial printing machine. Additionally, a printed canvas creates a attractive and pleasing impression. Canvas prints are relatively low in weight. This means, it is quite simple to hang your Canvas print without the support of additional wall-mounts. Therefore, a canvas print is suited for all kinds of walls.
• poster (materijal na platnu): Our poster print is a UV printed canvas with a granular surface structure. It is optimally designed for placing your art replica with a special frame. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin between 2 - 6cm round about the artwork in order to facilitate the framing.
• Sjajni akrilni stakleni otisak (sa pravim staklenim premazom): A glossy print on acrylic glass, which is sometimes referred to as a UV print on plexiglass, makes the original work of art into gorgeous home décor. The artwork will be made with modern UV direct printing machines. With an acrylic glass art print contrasts and granular color details become more visible thanks to the subtle tonal gradation in the picture. Our real glass coating protects your custom fine art print against light and heat for between 40-60 years.

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Important information: We do our best to describe the products as precisely as we can and to demonstrate them visually. Nevertheless, the pigments of the printing material and the imprint can differ somehwat from the presentation on the device's screen. Depending on the settings of your screen and the quality of the surface, not all color pigments can be printed as realistically as the digital version depicted here. Because our fine art prints are printed and processed manually, there might as well be slight differences in the exact position and the size of the motif.

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