Gerard David, 1512. - Odmor na letu u Egipat - grafika
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Umjetnik Ostatak na letu u Egipat od starog gospodara Gerard david kao svoju novu umjetničku kopiju
In 1512 Gerard david created this 16th century work of art. The beyond 500 year-old original creation has the following size of 20 x 17 in (50,8 x 43,2 cm). Ulje na drvetu was used by the European artist as the technique for the work of art. The piece of art forms part of the collection of The Metropolitan Museum of Art. With courtesy of Muzej umjetnosti Metropolitan, New York, Zbirka Jules Bache, 1949 (license: public domain). Creditline of the artwork: The Jules Bache Collection, 1949. What is more, the alignment of the digital reproduction is in portrait format with a side ratio of 3 : 4, which means that dužina je 25% kraća od širine. Gerard David was a male artist, illuminator, painter, drawer, miniaturist, whose style can be attributed mainly to Northern Renaissance. The Dutch artist lived for 63 godina i rođen je u 1460 u Oudewateru, provincija Utrecht, Holandija i preminuo 1523.
Odaberite materijal svog proizvoda
Za svaki proizvod nudimo niz različitih veličina i materijala. Sljedeće opcije su dostupne za individualizaciju:
- Tiskano akrilno staklo sa sjajnim efektom (sa pravim staklenim premazom): An acrylic glass print, often referenced as a print on plexiglass, makes the original into magnificient décor and makes a viable alternative option to dibond and canvas fine art replicas. The work of art will be manufactured with the help of modern UV direct print technology.
- Platno: A canvas print, which should not be mistaken with a real canvas painting, is a digital image printed from an industrial printing machine. A canvas has a particular look of three dimensionality. The great advantage of canvas prints is that they are relatively low in weight. That means, it is easy to hang the Canvas print without the help of additional wall-mounts. Therefore, canvas prints are suited for any type of wall.
- Štampani poster (materijal na platnu): Our poster print is a printed canvas with a slightly roughened texture on the surface. Please keep in mind, that depending on the size of the poster print we add a white margin between 2-6cm around the painting, which facilitates the framing with a custom frame.
- Metalni otisak (aluminijumski dio): These are metal prints on aluminium dibond material with an impressive effect of depth. The Aluminium Dibond Print is the perfect introduction to fine art reproductions with aluminum. The white & bright parts of the artpiece shimmer with a silk gloss but without any glow. The colors are luminous, fine details of the print appear crisp, and you can truly notice the matte appearance of the product.
Pravno odricanje odgovornosti: We try everything in order to describe our art products as exact as possible and to showcase them visually in our shop. Nonetheless, the colors of the printed materials, as well as the print result might differ slightly from the presentation on the device's monitor. Depending on the screen settings and the quality of the surface, colors might not be printed one hundret percent realistically. In view of the fact that all art reproductions are processed and printed by hand, there might as well be slight variations in the motif's exact position and the size.
O predmetu
Ispis proizvoda: | likovni tisak |
Metoda reprodukcije: | reprodukcija u digitalnom formatu |
Proces proizvodnje: | UV ispis / digitalni tisak |
Podrijetlo proizvoda: | proizvedeno u Njemačkoj |
Vrsta zaliha: | proizvodnja na zahtjev |
Upotreba proizvoda: | dekor kuće, zid galerije |
Poravnanje umjetničkog djela: | portretni format |
Omjer: | 3: 4 |
Značaj omjera slike: | dužina je 25% kraća od širine |
Materijali koje možete odabrati: | otisak akrilnog stakla (s pravim staklenim premazom), metalni otisak (aluminijski dibond), otisak plakata (platneni papir), otisak platna |
Varijante platna (platno na okviru nosila): | 30x40cm - 12x16 ", 60x80cm - 24x31", 90x120cm - 35x47 ", 120x160cm - 47x63" |
Veličine akrilnog stakla (sa stvarnim staklenim premazom): | 30x40cm - 12x16 ", 60x80cm - 24x31", 90x120cm - 35x47 ", 120x160cm - 47x63" |
Varijante plakata (platneni papir): | 30x40cm - 12x16 ", 60x80cm - 24x31", 90x120cm - 35x47 " |
Varijante aluminijumskog tiska (aluminijski dibond materijal): | 30x40cm - 12x16 ", 60x80cm - 24x31", 90x120cm - 35x47 " |
Uokvirivanje umjetničkim tiskom: | bez okvira |
Strukturirane informacije o umjetničkom djelu
Naziv umjetničkog djela: | "Ostatak na letu u Egipat" |
Kategorizacija umetničkih dela: | slika |
Krovni pojam: | klasična umjetnost |
vijek: | 16th stoljeća |
Godina rada: | 1512 |
Doba umjetničkih djela: | stariji od 500 godine |
Slikano na: | ulje na drvu |
Originalne dimenzije umetničkog dela: | 20 x 17 cm |
Izloženo u: | Metropolitanski muzej umetnosti |
Lokacija muzeja: | New York City, New York, Sjedinjene Američke Države |
Dostupno na: | www.metmuseum.org |
Vrsta licence: | javnosti |
Ljubaznošću: | Muzej umjetnosti Metropolitan, New York, Zbirka Jules Bache, 1949 |
Kreditna linija umjetničkih djela: | Zbirka Jules Bache, 1949 |
Opće informacije o izvođaču
Ime umjetnika: | Gerard david |
Dodatni nazivi: | Davidt Gheeraert, Davidt Gherat, David Gheeraedt, David Gheeraert, Davidt Gerard, David, david gerard, Davidt Gheeraedt, gheeraert david, Davit Gerard, Davit Gheeraedt, Davit Gherat, David Gerard, Gerard David, Davit Gheeraert, David Gherat |
Pol izvođača: | muški |
Nacionalnost: | holandski |
Poslovi umjetnika: | artist, painter, illuminator, drawer, miniaturist |
Zemlja porijekla: | Holandija |
Klasifikacija umjetnika: | stari majstore |
Likovni stilovi: | Sjeverna renesansa |
Lifetime: | 63 godina |
Rođeni godine: | 1460 |
Mjesto rođenja: | Oudewater, provincija Utrecht, Holandija |
Godina smrti: | 1523 |
Grad smrti: | Briž, Zapadna Vlaanderen, Flandrija, Belgija |
Ovaj tekst je zaštićen autorskim pravima © | Artprinta (www.artprinta.com)
Dodatni opis web stranice Muzeja umjetnosti Metropolitan (© Copyright - Metropolitan Museum of Art - www.metmuseum.org)
This composition presents the Flight into Egypt as a continuous narrative. In a tiny background scene the Holy Family emerges from the forest, en route to the contemporary Netherlandish town at the left. In the foreground Mary nurses the Child in a moment of repose on their arduous journey, which the viewer is visually meant to follow. David achieved in this painting a remarkable balance of color and a serene sense of light and atmosphere. His awareness of Italian Renaissance conventions is evident in the pyramidal motif of the Virgin and Child and his use of chiaroscuro to convey the volume of the figures.