Lodovico Carracci, 1593. - San svete Katarine Aleksandrijske - grafika

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The klasična umjetnost remek-djelo je kreirao italijanski slikar Lodovico Carracci in 1593. Ovo umjetničko djelo je uključeno u kolekciju Nacionalna galerija umjetnina, koji je muzej američko-američke nacije koji čuva, sakuplja, izlaže i njeguje razumijevanje umjetničkih djela. Uz ljubaznost: Nacionalna galerija umjetnosti, Washington (javno vlasništvo).Kreditna linija umjetničkog djela je sljedeća: . Poravnanje digitalne reprodukcije je u portretu format i ima bočni omjer 1: 1.2, što znači to dužina je 20% kraća od širine. The painter, graphic artist, etcher Lodovico Carracci was an artist, whose artistic style can primarily be classified as Baroque. The Baroque artist lived for a total of 64 godina - born in 1555 in Bologna, Bologna province, Emilia-Romagna, Italy and died in 1619 in Bologna, Bologna province, Emilia-Romagna, Italy.

What does the National Gallery of Art state about this work of art painted by Lodovico Carracci? (© Copyright - Nacionalna galerija umjetnosti - Nacionalna galerija umjetnina)

We recognize this sleeping figure as Saint Catherine by the fragment of spiked wheel in the lower left corner, which was the instrument of an attempted martyrdom. Here Lodovico Carracci represented her legendary dream in which Mary and the infant Christ, accompanied by angels, appeared to her. Plighting his troth, Christ placed a ring on Catherine's finger, and through this mystic marriage she became his bride. To cast the event as a dream, rather than having Saint Catherine receive the ring while awake, is Lodovico's innovation.

Two angels at the left look on with protective tenderness, while others barely emerge amid the vaporous bronze radiance at the right -- spirit becoming matter. The figures, solid and robust, bask in an indeterminate setting. A languorous warmth pervades the scene and slows the composition. At the same time, the quirky folds and pleats cascading down Catherine's garments impart a vertiginous sensation -- the dizziness of sleep.

Lodovico was the eldest of the three Carracci, the family of Bolognese artists who inaugurated the age of the baroque. His depictions of saints in states of visionary ecstasy were highly prized in an age when the purpose of religious art was to arouse intensely pious emotions in the spectator.

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