Franz Anton Maulbertsch, 1769 - Počast carici Mariji Tereziji - grafika

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• Ispis na platnu: A canvas print is a printed cotton canvas stretched on a wooden frame. How do I hang a canvas print on the wall? Canvas Prints have the advantage of being low in weight, which implies that it is easy and straightforward to hang up your Canvas print without the support of extra wall-mounts. Therefore, a canvas print is suited for all types of walls.
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What does the curator team of the Belvedere write about this 18th century artwork made by Franz Anton Maulbertsch? (© - Belvedere - belvedere)

The particularly finely crafted paintings served as a template for a radiertes and stung sheet of Johann Veit Kauperz, which was used as the frontispiece of the fifth volume of Supplementum Codicis Austriaci. Although the publication falls into the year 1777, the graphic was first mentioned in 1769 in a meeting considered complete and praised Maulbertsch than the Inventor. A portrait medallion Maria Theresia with widow veil shows almost in profile, is surrounded by several figures. In the Fama floats with trombone and laurel wreath, while the helmeted Minerva instructs two putti when decorating the portrait with flowers. Left, the figure of the prince's generosity is seated with scepter and cornucopia, the right is that of Justitita blindfold, sword and scales. The basis of the figural scene forms a pedestal, is double-headed eagle and national coat of arms are in the middle. It is obvious that both the medallion as was also the emblem of the Maria Theresa Thaler, who was then an official currency, godfather confessed. The draft introduces located at the obverse of the coin Latin inscription is even played, but was waived the down later. smoothed that the painting in the style, extremely precise in the design and color appear greatly reduced, is due in particular to the function as a stub template. Nevertheless, classical aspirations are likely to be responsible for this clarity. [Georg Lechner, 9/2009]

Remek-djelo je naslikao muški Austrijanac umjetnik Franz Anton Maulbertsch. Verzija umjetničkog djela mjeri veličinu: 31 x 20,5 cm - dimenzije okvira: 39 × 29 × 4 cm. Ulje na platnu was applied by the Austrian artist as the technique for the artpiece. Today, this work of art is in the the Belvedere digital art collection. With courtesy of: © Belvedere, Vienna, inventory number: 4238 (license: public domain). Creditline of the artwork: transfer from the Kunsthistorisches Museum, Vienna. - 1948 inventory in 1922. Besides this, the alignment is in portrait format i ima omjer širine i visine 2: 3, to znači dužina je 33% kraća od širine. The painter Franz Anton Maulbertsch was a European artist from Austria, whose art style can mainly be assigned to Baroque. The Baroque artist was born in 1724 in Langenargen, Baden-Wurttemberg, Germany and passed away at the age of 72 in 1796 in Vienna, Vienna state, Austria.

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