Eugène Carrière, 1893. - Autoportret - grafički prikaz

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• Štampani poster (materijal na platnu): Our poster print is a UV printed flat canvas paper with a fine surface structure. Please note, that depending on the absolute size of the canvas poster print we add a white margin between 2-6 cm around the print motif in order to facilitate the framing with your custom frame.
• Aluminijski dvobojni otisak (metal): An Aluminium Dibond print is a print material with a true depth effect. A direct Direct Print on Aluminum Dibond is your best start to art replicas on aluminum. The colors are luminous and bright in the highest definition, details of the print appear clear and crisp.
• Otisak na akrilnom staklu: A glossy acrylic glass print, often referred to as a UV print on plexiglass, makes your favorite original work of art into brilliant décor. The work of art will be manufactured with modern UV printing technology. The effect of this are vivid and stunning colors. The major benefit of an acrylic glass fine art print is that contrasts and also details will be more visible because of the precise tonal gradation of the print. The acrylic glass protects your chosen fine art print against sunlight and external influences for many decades.
• Platno: The canvas print, not to be confused with a painting on a canvas, is an image applied directly on canvas fabric. A canvas produces a cosy and pleasant appearance. A canvas of this masterpiece will allow you to transform your art print into a large size artpiece. Canvas Prints have the advantage of being relatively low in weight, meaning that it is easy to hang your Canvas print without additional wall-mounts. Therefore, canvas prints are suited for all kinds of walls.

odricanje od odgovornosti: We try everythig possible to depict the products as clearly as possible and to exhibit them visually. At the same time, the colors of the print products and the printing might diverge marginally from the representation on the screen. Depending on your settings of your screen and the condition of the surface, not all color pigments are printed as realistically as the digital version shown here. Given that all are printed and processed by hand, there might also be slight discrepancies in the size and exact position of the motif.

Original artwork description by the museum's website (© - The Metropolitan Museum of Art - Metropolitanski muzej umetnosti)

A critic once compared Carrière’s style to that of his colleague Auguste Rodin, writing, "Rodin paints in marble and Carrière sculpts with shadow." This self-portrait, part of a series begun in 1887, exemplifies Carrière’s signature approach. Nuanced umber tones and hazy brushwork create the impression of the figure materializing out of, or merging into, the surface of the canvas. The vague, misty appearance of Carrière’s work was prized by contemporaries tired of precisely detailed and realistic paintings. A collector from Connecticut purchased this likeness in 1893, probably at the advice of Robert Simpson Cassatt, the father of American painter Mary Cassatt (1844–1926).

Remek-djelo iz 19. vijeka izradio je muški Francuski slikar Eugène Carrière. Umetničko delo ima sledeću veličinu: 16 / 1 x 4 cm i izrađen je sa medijumom ulje na platnu. This artwork belongs to the digital collection of The Metropolitan Museum of Art. With courtesy of: The Metropolitan Museum of Art, New York, Purchase, Albert Otten Foundation Gift, 1979 (javno vlasništvo). In addition to that, the artpiece has the following creditline: Purchase, Albert Otten Foundation Gift, 1979. Besides, the alignment of the digital reproduction is portrait with an image ratio of 1: 1.2, što znači to dužina je 20% kraća od širine. Eugène Carrière was a painter from France, whose artistic style was primarily Realism. The Realist painter lived for 57 years and was born in the year 1849 in Gournay-sur-Marne and deceased in 1906 in Paris.

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