Vinzenz Fischer, 1781. - Alegorija prenosa carske galerije na Belvedereu - tisak

59,99 €

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Osnovne informacije o umjetničkom djelu autora Vinzenz Fischer

In 1781 u muški njemački umjetnik Vinzenz Fischer created this masterpiece. The beyond 230 year old original has the size: 57 x 47 cm - frame dimensions: 70,5 x 61 x 6 cm and was crafted on the medium oil on canvas. Signed and dated lower right: 13 OK 1781 V. Fischer is the artwork's original inscription. Nowadays, the work of art forms part of the digital art collection of belvedere. Uz ljubaznost © Belvedere, Beč, inventarni broj: 4229 (licenca: javno vlasništvo). : transfer iz Kunsthistorisches Museum, Beč. - 1948. inventar 1922. Poravnanje je portretno sa omjerom strane 1 : 1.2, što implicira da dužina je 20% kraća od širine. Vinzenz Fischer was a male architect, painter from Germany, whose artistic style was primarily Baroque. The Baroque painter was born in the year 1729 in Schmidham at Griesbach and died at the age of 81 in 1810 in Vienna, Vienna state, Austria.

Koje umetničke materijale za štampu mogu naručiti?

Za svaki likovni otisak nudimo niz različitih materijala i veličina. Stoga vam omogućavamo da odaberete između sljedećih opcija:

  • Aluminijski dvobojni otisak: An Aluminium Dibond print is a material with an outstanding effect of depth. The colors are luminous, the fine details are clear and crisp. The print on aluminium is one of the most popular entry-level products and is an extremely stylish way to showcase art prints, since it puts the viewer’s attention on the whole artwork.
  • poster (materijal na platnu): A poster is a printed flat cotton canvas with a granular finish on the surface. Please note, that depending on the size of the canvas poster print we add a white margin of approximately 2-6 cm round about the artwork, which facilitates the framing.
  • Ispis na platnu: The canvas print is a printed canvas stretched on a wooden frame. Hanging a canvas print: Canvas Prints have the advantage of being relatively low in weight. That means, it is easy to hang your Canvas print without the help of additional wall-mounts. A canvas print is suitable for all types of walls.
  • Otisak akrilnog stakla: The acrylic glass print, often denoted as a print on plexiglass, changes the original work of art into amazing décor and forms a distinct alternative option to canvas and dibond fine art prints. The work of art will be manufactured with modern UV print machines. The result of this are vivid, stunning colors. The great advantage of an acrylic glass fine art print is that contrasts as well as small artwork details will be recognizeable thanks to the granular tonal gradation.

Legal note: We try everything in order to describe our art products with as many details as possible and to display them visually on the various product detail pages. However, the pigments of the printing material, as well as the printing may diverge somehwat from the presentation on your device's monitor. Depending on the settings of your screen and the nature of the surface, not all color pigments are printed 100% realistically. Bearing in mind that the are printed and processed by hand, there might also be minor variations in the exact position and the size of the motif.

O ovom proizvodu

Ispiši vrstu proizvoda: umetnička kopija
Reprodukcija: reprodukcija u digitalnom formatu
Tehnika izrade: UV ispis / digitalni tisak
Proizvodnja: Nemačke proizvodnje
Vrsta zaliha: proizvodnja na zahtjev
Upotreba proizvoda: galerija umjetničkih slika, zidna galerija
Orijentacija: portretni format
Omjer slike: 1: 1.2 dužina: širina
Interpretacija omjera slike: dužina je 20% kraća od širine
Dostupni materijali proizvoda: otisak plakata (papir na platnu), metalni otisak (aluminijski dibond), otisak na platnu, otisak akrilnog stakla (sa pravim staklenim premazom)
Platno na okviru nosila (print na platnu) veličine: 50x60cm - 20x24 ", 100x120cm - 39x47", 150x180cm - 59x71 "
Varijante akrilnog stakla (sa pravim staklenim premazom): 50x60cm - 20x24 ", 100x120cm - 39x47", 150x180cm - 59x71 "
Veličina štampe plakata (papir na platnu): 50x60cm - 20x24 ", 100x120cm - 39x47"
Opcije otiska aluminijuma: 50x60cm - 20x24 ", 100x120cm - 39x47"
okvir: Nije dostupno

Osnovne informacije o jedinstvenom umjetničkom djelu

Naslov umetničkog dela: "Allegory of the transfer of the imperial gallery in the Belvedere"
Klasifikacija djela: slika
Opšti pojam: klasična umjetnost
vrijeme: 18th stoljeća
Godina stvaranja: 1781
Starost umjetničkog djela: 230 godina
Izvorni medij umjetničkog djela: ulje na platnu
Veličina originalnog umjetničkog djela: 57 x 47 cm - dimenzije okvira: 70,5 x 61 x 6 cm
Originalni umjetnički natpis: signed and dated lower right: 13 OK 1781 V. Fischer
Izloženo u: belvedere
Lokacija muzeja: Beč, Austrija
Web stranica muzeja: belvedere
Licenca: javnosti
Ljubaznošću: © Belvedere, Beč, inventarni broj: 4229
Kreditna linija: transfer iz Kunsthistorisches Museum, Beč. - 1948. inventar 1922

Opšte osnovne informacije o umjetniku

Umjetnik: Vinzenz Fischer
Poznat i kao: vincenz fischer, Fischer Josef Vincenz, Fischer Vinzenz, Fischer, Vinzenz Fischer, V. Fischer
Pol izvođača: muški
Nacionalnost umjetnika: njemački
Poslovi: slikar, arhitekta
Zemlja porijekla: Njemačka
klasifikacija: stari majstore
Styles: Barok
Starost kod smrti: 81 godina
Godina rođenja: 1729
Rođen (mjesto): Schmidham u Griesbachu
Godina smrti: 1810
Preminuli u (mjesto): Beč, država Beč, Austrija

Copyright © - www.artprinta.com (Artprinta)

Artwork description from Belvedere (© Copyright - by Belvedere - belvedere)

The reason for this allegory was the transfer of the imperial collection from the barn castle in the Belvedere, where she was open to the public for the first time. The dressed in the style of a Roman Emperor Joseph II. Is informed by Minerva, goddess of wisdom, art and clever warfare, on the Upper Belvedere. Simultaneously, the allegorical figure of art and genii bring cause of art. The circular temple - here meaning a temple Muse - bears the Greek inscription "Parthenon" and a stone plaque with the artist's signature and the date 13 October 1781, perhaps the day on which the newly established collection was opened. [Georg Lechner, 2010]

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