Eduard Ritter, 1835. - Sjedi mladić u crnoj suknji - likovni otisak

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Ritter had been taught at the Vienna Academy of Fine Arts in the years 1829-1834 in the history painting. The first painting, with whom he participated in an academy exhibition (1830, no. 235), was, however, no historical or mythological scene as it could be provided for a student of this subject, but a self-portrait. The stay of this painting is unknown today, but the portrait shown here can a young man, which was created five years later, to give an impression of high artistic level that the young painter had already reached in the 1830s. What is unusual about this depiction is the perspective, because in the foreground the small tables can be seen, only behind the portrayed sitting. Through this game with the optical illusion and the hand shown in excellent shortening that moreover leafing through natural movement in a book, Ritter documented an artistic level, could make the few artists of his time claimed for itself. A suggestion for the space-creating "set piece" in the foreground may be found in the paintings of Gerard Dou (1613-1675), who could know our painters from the Imperial Collection in the Upper Belvedere (today Kunsthistorisches Museum Vienna). Perhaps the "referee" (1529, Kunsthistorisches Museum, Vienna, Inv 783) inspired him by Barthel Beham (1502 to 1540) d or portraits of Hans Holbein. J. (1497-1543), which were available as reproductions. These possible models, however, were very independently implemented in this image and timely adapted. The figure in its overall appearance conveys a unique proximity to life, for instance through the open features, the intelligent-questioning look, the soft molded lips and the relaxed-looking posture. This impression is reinforced by the clear, fresh colors and a painting technique that using fine but easily applied shades modeled the body gently. Unusual is also the folded-back tablecloth by which the attached to the quill of the painter signature becomes visible. [Sabine Grabner, in: Grabner, Sabine: More than Biedermeier. Classicism, Romanticism and Realism in the Austrian Gallery Belvedere, Munich 2006, p 82f]

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• Metalni otisak (aluminijumski dio): Aluminium Dibond prints are metal prints with a true effect of depth. A direct Aluminium Dibond Print is the ideal start to art reproductions with aluminum. The colors of the print are bright and luminous in the highest definition, the details of the print appear crisp and clear. The UV print on aluminium is the most popular entry-level product and is a stylish way to showcase fine art reproductions, because it draws attention on the replica of the artwork.
• Otisak na platnu: A canvas print, not to be mistaken with an artwork painted on a canvas, is an image printed onto cotton canvas. The canvas produces a soft and comfortable look. The great advantage of canvas prints is that they are relatively low in weight. This means, it is easy and straightforward to hang up the Canvas print without any wall-mounts. Because of thata canvas print is suited for all kinds of walls.
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Sitting young man in a black skirt is an artwork made by the German painter Eduard Ritter u godini 1835. The 180 year old version of the work of art was painted with the size: 38,5 x 30 cm - frame dimensions: 47 x 38 x 6 cm. Ulje na platnu was applied by the artist as the technique for the artwork. The original artwork has the following inscription: signed and dated lower right: p knight. / 1835th. This piece of art belongs to the Belvedere's art collection in Beč, Austrija. Ovo javnosti artwork is being included with courtesy of © Belvedere, Vienna, inventory number: 5028. : purchase from the Dorotheum, Vienna in 1955. What is more, the alignment of the digital reproduction is portret i ima omjer širine i visine 3: 4, meaning that the length is 25% shorter than the width. Eduard Ritter was a artist, painter, etcher, drawer, lithographer of German nationality, whose artistic style can be classified as Realism. The artist was born in 1820 in Hamburg, Hamburg state, Germany and passed away at the age of 72 u godini 1892.

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