Charles-Théodore Frère, 1880 - Jeruzalem s Maslinske gore - grafika

informacije o proizvodu

Ovo umjetničko djelo pod nazivom Jerusalem from the Mount of Olives naslikao ga je francuski slikar Charles-Théodore Frère. Onostrano 140 years old original had the following size: 29 1/2 x 43 1/2 in (74,9 x 110,5 cm) and was produced with the tehnika oil on canvas. Besides, this work of art is in the the art collection of Metropolitanski muzej umetnosti, koji je jedan od najvećih i najfinijih muzeja umjetnosti na svijetu, koji uključuje više od dva miliona umjetničkih djela koja se prostiru na pet hiljada godina svjetske kulture, od prapovijesti do danas i sa svih dijelova svijeta .. Uz ljubaznost - Muzej umjetnosti Metropolitan, New York, Zbirka Catharine Lorillard Wolfe, Oporuka Catharine Lorillard Wolfe, 1887. (licenca za javno vlasništvo). : Zbirka Catharine Lorillard Wolfe, Oporuka Catharine Lorillard Wolfe, 1887. Štoviše, poravnanje je pejzaž sa bočnim omjerom 3: 2, što to implicira dužina je 50% duža od širine.

Materijali proizvoda koji se mogu odabrati

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• Otisak na platnu: A printed canvas applied on a wooden frame. A canvas generates a plastic effect of three dimensionality. Besides, printed canvas generates a lively and pleasant appearance. Your canvas of your favorite artwork will let you turn your individual fine art print into a large size artpiece like you would see in a real gallery. Hanging your canvas print: The advantage of canvas prints is that they are relatively low in weight, which means that it is easy and straightforward to hang your Canvas print without the use of additional wall-mounts. Canvas prints are suited for all types of walls.
• Otisak akrilnog stakla (sa pravim staklenim premazom): The acrylic glass print, which is often described as a plexiglass print, will convert your favorite original work of art into wonderful décor and makes a distinct alternative to aluminium and canvas prints. The artwork is manufactured with the help of state-of-the-art UV direct printing machines. This creates the image effect of deep, rich colors. With an acrylic glass art print contrasts and also color details will be identifiable because of the fine tonal gradation.
• Aluminijski dvobojni otisak: Aluminium Dibond prints are metal prints with an outstanding depth effect, which makes a contemporary impression thanks to a surface structure, which is non-reflective. For our Direct Aluminium Dibond print, we print the chosen work of art onto the aluminium composite surface. The white & bright components of the artpiece shimmer with a silky gloss but without the glow. The UV print on aluminium is the most popular entry-level product and is a modern way to showcase art, because it puts the viewer’s attention on the whole artwork.
• Otisak plakata na platnu: The poster print is a UV printed sheet of cotton canvas paper with a nice structure on the surface, which resembles the original version of the masterpiece. It is ideally appropriate for placing your art print with the help of a custom frame. Please bear in mind, that depending on the size of the poster we add a white margin of around 2-6 cm round about the print motif to facilitate the framing with a custom frame.

Važna napomena: We try our utmost in order to describe our products as accurate as possible and to illustrate them visually. Nonetheless, the tone of the print products, as well as the printing might differ marginally from the presentation on the monitor. Depending on your screen settings and the nature of the surface, color pigments can unfortunately not be printed as realistically as the digital version on this website. Given that our art reproductions are printed and processed manually, there may also be slight deviations in the motif's size and exact position.

Strukturirane informacije o proizvodu

Strukturirani detalji umjetničkog djela

Kontekstualni podaci o izvođaču

Ovaj tekst je zaštićen autorskim pravima © | Artprinta (www.artprinta.com)

Dodatne informacije sa muzejske web stranice (© - Muzej umjetnosti Metropolitan - www.metmuseum.org)

This panoramic view was commissioned from Frère by the New York collector Catharine Lorillard Wolfe by 1880, when it was first described as being in her possession. Because the artist had not been to the Holy Land for twenty years—he had last traveled there as part of Empress Eugénie’s retinue in 1861—the composition must be based on one or more earlier studies or photographs.