Carle, 1737. - Zaustavljanje lova - grafički prikaz

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Ovaj umjetnički rad stvorio je Carle. Original stariji od 280 godina obojen je veličinom: 23 / 1 x 4 cm and was painted with the techinque oil on canvas. Nowadays, this piece of art is included in the Muzej umjetnosti Metropolitan umjetnička zbirka. Uz ljubaznost - Muzej umjetnosti Metropolitan, New York, Wrightsman Fund, 1995 (licencirano: javno vlasništvo). : Fond Wrightsman, 1995. Štaviše, poravnanje je portret i ima omjer slike od 1: 1.2, što znači da je dužina za 20% kraća od širine.

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• Otisak plakata (materijal na platnu): The poster is a printed sheet of flat canvas with a slightly roughened finish on the surface. Please keep in mind, that depending on the absolute size of the poster print we add a white margin of around 2-6 cm round about the print motif to facilitate the framing.
• Aluminijski dvobojni otisak: Aluminium Dibond prints are prints on metal with an outstanding depth, which creates a contemporary impression by having a non-reflective surface. A direct Direct Print on Aluminum Dibond is your best start to replicas on alu. For our Direct Aluminium Dibond print, we print your selected work of art on the surface of the white-primed aluminum.
• Otisak na platnu: The canvas print is a printed canvas mounted on a wooden stretcher. Besides, canvas produces a familiar and warm ambience. A printed canvas of this artwork will provide you with the unique opportunity of turning your very own into a large collection piece like you would see in a gallery. Hanging a canvas print: The advantage of canvas prints is that they are relatively low in weight, meaning that it is easy and straightforward to hang the Canvas print without extra wall-mounts. Hence, canvas prints are suitable for all types of walls.
• Štampanje od akrilnog stakla (sa pravim staklenim premazom): A glossy acrylic glass print, often named a print on plexiglass, will convert your favorite artwork into stunning wall décor. Your artwork is printed with state-of-the-art UV print machines. It creates vivid, impressive colors.

Pravna napomena: We try all that we can in order to describe our products in as much detail as possible and to demonstrate them visually in our shop. Nevertheless, the tone of the print materials and the print result may diverge marginally from the image on the device's screen. Depending on the settings of your screen and the nature of the surface, not all colors are printed as exactly as the digital version shown here. In view of the fact that the are printed and processed manually, there might as well be slight differences in the exact position and the size of the motif.

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© Zaštita autorskih prava - Artprinta.com (Artprinta)

Informacije o umjetničkom djelu koje pruža The Metropolitan Museum of Art (© Autorska prava - The Metropolitan Museum of Art - www.metmuseum.org)

Vanloo’s subject, a supremely elegant hunting party of the kind enjoyed by Louis XV and his court, derives from Watteau’s fêtes galantes, but teems with contemporary detail, including a black, possibly enslaved, servant dressed in exotic costume. This oil sketch is a study for a picture painted in 1737 for Louis XV's dining room at the Château de Fontainebleau. The finished canvas (Musée du Louvre, Paris) no longer retains the shaped top and bottom that would have originally fit into the dining room’s wood paneling. The verve and freshness of the sketch reflect Vanloo's training and extended activity in Italy.