Elisabeth Louise Vigée Le Brun, 1789 - grofica od La Châtre (Marie Charlotte Louise Perrette Aglaé Bontemps 1762-1848) - likovni otisak
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Informacije o umetničkom proizvodu
In 1789 Elisabeth Louise Vigée Le Brun painted this artwork with the title Countess of La Châtre (Marie Charlotte Louise Perrette Aglaé Bontemps 1762-1848). Gotovo 230 godišnji original ima sljedeću veličinu: (45 x 34 cm) 1 x 2 114,3/87,6 in. Oil on canvas was used by the French painter as the medium of the artpiece. Today, this piece of art is included in the digital art collection of The Metropolitan Museum of Art located in New York City, New York, Sjedinjene Američke Države. Ovo klasična umjetnost javnosti umetnik je isporučen ljubaznošću kompanije Muzej umjetnosti Metropolitan, New York, Poklon Jessie Woolworth Donahue, 1954. : Poklon Jessie Woolworth Donahue, 1954. Štaviše, usklađivanje digitalne reprodukcije je portret sa omjerom 3: 4, što to implicira dužina je 25% kraća od širine.
Materijali proizvoda koje naši kupci mogu odabrati
Za svaki proizvod nudimo niz različitih materijala i veličina. Zbog toga vam dopuštamo da odaberete između sljedećih opcija:
- Platno: A canvas print is a printed cotton canvas mounted on a wood stretcher. It creates a typical impression of three-dimensionality. A canvas print of your favorite artpiece will let you turn your art print into a large collection piece. Canvas prints are relatively low in weight, meaning that it is easy and straightforward to hang your Canvas print without the support of extra wall-mounts. Canvas prints are suitable for all types of walls.
- Otisak akrilnog stakla: An acrylic glass print, which is sometimes described as a print on plexiglass, will turn the original artwork into marvellous décor and is a viable alternative to canvas and aluminidum dibond art prints. The work of art is custom-made with the help of state-of-the-art UV printing technology. The major advantage of an acrylic glass art print is that contrasts and small color details will be more identifiable thanks to the precise tonal gradation of the print.
- Aluminijski otisak (aluminijski dibond): Aluminium Dibond prints are metal prints with an outstanding depth - for a modern impression and a non-reflective surface structure. A direct Aluminium Dibond Print is the perfect introduction to fine art replicas produced with aluminum. The bright and white parts of the work of art shimmer with a silky gloss, however without the glare. The colors are vivid and luminous in the highest definition, the details of the print are very clear, and the print has a a matte appearance that you can literally feel.
- Štampani poster (materijal na platnu): The Artprinta poster print is a UV printed canvas with a fine texture on the surface. Please note, that depending on the size of the poster print we add a white margin 2-6 cm round about the artwork in order to facilitate the framing with your custom frame.
Pravno odricanje odgovornosti: We try all that we can in order to describe the art products as accurate as possible and to demonstrate them visually on the product detail pages. Although, the colors of the printing material, as well as the imprint might differ somehwat from the image on the device's monitor. Depending on your settings of your screen and the condition of the surface, not all colors are printed as exactly as the digital version on this website. Considering that our are printed and processed manually, there might also be slight differences in the motif's size and exact position.
Informacije o pozadini proizvoda
Ispiši vrstu proizvoda: | art print |
Način reprodukcije: | digitalna reprodukcija |
Proces proizvodnje: | digitalni tisak (UV direktni ispis) |
produkcija: | proizvedeno u Njemačkoj |
Vrsta zaliha: | proizvodnja na zahtjev |
Predviđena upotreba: | galerija umjetničkih reprodukcija, galerija umjetničkih slika |
Orijentacija: | poravnanje portreta |
Odnos strane: | 3: 4 |
Značenje: | dužina je 25% kraća od širine |
Dostupne varijante: | otisak plakata (platneni papir), akrilni stakleni otisak (sa pravim staklenim premazom), otisak platna, metalni otisak (aluminijski dibond) |
Platno na okviru nosila (print na platnu) veličine: | 30x40cm - 12x16 ", 60x80cm - 24x31", 90x120cm - 35x47 ", 120x160cm - 47x63" |
Opcije veličine akrilnog stakla (sa pravim staklenim premazom): | 30x40cm - 12x16 ", 60x80cm - 24x31", 90x120cm - 35x47 " |
Varijante plakata (platneni papir): | 30x40cm - 12x16 ", 60x80cm - 24x31", 90x120cm - 35x47 " |
Veličine aluminijskog dibonda: | 30x40cm - 12x16 ", 60x80cm - 24x31", 90x120cm - 35x47 " |
okvir: | bez okvira |
Detalji o artiklu
Naziv umjetničkog djela: | "Countess of La Châtre (Marie Charlotte Louise Perrette Aglaé Bontemps 1762-1848)" |
Kategorizacija: | slika |
Umjetnička kategorizacija: | klasična umjetnost |
vrijeme: | 18th stoljeća |
Kreirano u: | 1789 |
Starost umjetničkog djela: | 230 godina |
Slikano na: | ulje na platnu |
Originalna veličina: | (45 x 34 cm) 1 x 2 114,3/87,6 in |
Izloženo u: | Metropolitanski muzej umetnosti |
Mjesto muzeja: | New York City, New York, Sjedinjene Američke Države |
Web stranica muzeja: | www.metmuseum.org |
Vrsta licence za umjetničko djelo: | javnosti |
Ljubaznošću: | Muzej umjetnosti Metropolitan, New York, Poklon Jessie Woolworth Donahue, 1954 |
Kreditna linija za umjetničko djelo: | Poklon Jessie Woolworth Donahue, 1954 |
Kratki pregled umjetnika
Ime izvođača: | Elisabeth Louise Vigée Le Brun |
Pol izvođača: | ženski |
Nacionalnost: | francuski |
Poslovi umjetnika: | slikar |
Matična država: | Francuska |
Klasifikacija umjetnika: | stari majstore |
Životni vijek: | 87 godina |
Godina rođenja: | 1755 |
Umro u godini: | 1842 |
Ovaj tekst je zaštićen autorskim pravima © - Artprinta (www.artprinta.com)
Prikaz umjetničkog djela na web stranici Muzeja umjetnosti Metropolitan (© - Muzej umjetnosti Metropolitan - Metropolitanski muzej umetnosti)
In 1789, the sitter, daughter of Louis XV's premier valet de chambre, was the wife of the comte de la Châtre. She later married François Arnail de Jaucourt. For daily wear and for portraits, Vigée Le Brun favored white muslin dresses in this style for what she saw as their timeless, classical simplicity.