Barthel Beham, 1527 - kancelar Leonhard Eck (1480-1550) - likovni otisak

Sažetak replike klasične umjetnosti

"Chancellor Leonhard Eck (1480-1550)" is a piece of art painted by Barthel Beham in 1527. Više od 490 originalna kreacija stara godinu dana ima veličinu: 22 / 1 x 8 cm i proizveden je sa tehnika ulje na smreci. What is more, this artwork is included in the art collection of The Metropolitan Museum of Art. With courtesy of Muzej umjetnosti Metropolitan, New York, Fond John Stewart Kennedy, 1912 (javno vlasništvo). Creditline of the artwork: John Stewart Kennedy Fund, 1912. What is more, the alignment of the digital reproduction is portret u omjeru 2: 3, što znači da dužina je 33% kraća od širine. The court painter, painter Barthel Beham was a European artist from Germany, whose artistic style was primarily Northern Renaissance. The European artist was born in the year 1502 in Nuremberg, Bavaria, Germany and deceased at the age of 38 in 1540.

Moguće opcije materijala proizvoda

Za svaki proizvod nudimo niz različitih veličina i materijala. Možete birati između sljedećih opcija prilagođavanja proizvoda:

• Otisak na platnu: A canvas print is a printed cotton canvas mounted on a wooden stretcher. Canvas Prints have the advantage of being relatively low in weight. That means, it is easy to hang your Canvas print without additional wall-mounts. A canvas print is suitable for all kinds of walls.
• Ispis postera (materijal na platnu): A poster print is a printed flat cotton canvas paper with a slightly rough structure on the surface. A poster is optimally qualified for placing your art print using a custom-made frame. Please keep in mind, that depending on the size of the poster print we add a white margin of approximately 2-6cm around the print motif, which facilitates the framing with your custom frame.
• Aluminijski dvobojni otisak (metal): These are metal prints on aluminium dibond material with an outstanding effect of depth. A direct Direct Print on Aluminum Dibond is the ideal introduction to fine prints with aluminum. The colors of the print are luminous and vivid in the highest definition, the details are crisp.
• Otisak akrilnog stakla: A glossy acrylic glass print, which is often denoted as a plexiglass print, will turn your favorite original into beautiful décor and is a distinct alternative to dibond or canvas fine art prints. Your favorite work of art will be printed with the help of state-of-the-art UV print technology. This makes sharp, intense color shades. With an acrylic glass art print contrasts and minor color details will be recognizeable because of the fine gradation. Our acrylic glass protects your custom fine art print against sunlight and heat for up to 60 years.

Važna napomena: We try what we can in order to describe our art products as precisely as possible and to illustrate them visually on the product detail pages. Please bear in mind that the tone of the print materials and the print result might differ somehwat from the presentation on the device's monitor. Depending on your screen settings and the nature of the surface, not all color pigments are printed as exactly as the digital version on this website. Given that our are printed and processed by hand, there may also be minor differences in the size and exact position of the motif.

Informacije o strukturiranim stavkama

Umetničko delo

Tabela detalja o izvođaču

Ovaj tekst je zaštićen autorskim pravima © | www.artprinta.com (Artprinta)

Informacije o umjetničkom djelu iz Metropolitan Museum of Art (© - od The Metropolitan Museum of Art - www.metmuseum.org)

Barthel Beham and his older brother Sebald were renowned as printmakers as well as painters. They were active in Lutheran Nuremberg until 1525, when they were banished for opposing the Reformation. Barthel subsequently moved to Catholic Munich to serve as court painter to the Bavarian dukes William IV and Ludwig X. The sitter of this arresting portrait, Leonhard von Eck, was Chancellor to William IV and a powerful opponent of the Reformation. An engraving after this portrait is inscribed with Leonhard von Eck's name, his age (forty-seven), and the artist’s initials, with the date 1527.