Aelbert Bouts, 1525. - Čovjek žalosti - likovna grafika
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Original artwork description by The Metropolitan Museum of Art (© - by The Metropolitan Museum of Art - www.metmuseum.org)
Aelbert Bouts, one of Dieric's sons, is known for his gruesome renditions of devotional subjects painted by his father. The focus on Christ's pain and suffering, expressed in the prominently displayed wounds and blood-drenched face and neck, reflects the tenor of many devotional tracts of the period.
About this artpiece created by the Dutch painter named Aelbert Bouts
Čovek tuge was painted by Aelbert Bouts. The original version has the following dimensions - Lučni vrh, 17 1/2 x 11 1/4 in (44,5 x 28,6 cm). Ulje na hrastu was used by the artist as the technique for the masterpiece. Moveover, this artwork can be viewed in in the digital art collection of The Metropolitan Museum of Art, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. The public domain masterpiece is provided with courtesy of Muzej umjetnosti Metropolitan, New York, Zbirka Friedsam, Oporuka Michaela Friedsama, 1931. The creditline of the artwork is the following: The Friedsam Collection, Bequest of Michael Friedsam, 1931. Besides, the alignment of the digital reproduction is portret u omjeru 2: 3, što znači da je dužina 33% kraća od širine.
Izaberite opciju materijala
The product dropdown menu ofers you the possibility to choose your prefered size and material. You can select your favorite material and size between the options:
- Poster (platneni materijal): The poster print is a UV printed sheet of canvas paper with a slightly roughened texture on the surface. The poster is particularly qualified for putting the art replica with a personal frame. Please note, that depending on the size of the canvas poster print we add a white margin between 2-6cm around the artwork, which facilitates the framing with your custom frame.
- Aluminijski dvobojni otisak: An Aluminium Dibond print is a print material with a true effect of depth, which creates a contemporary impression with a non-reflective surface structure. The Aluminium Dibond Print is your excellent start to the sophisticated world of fine reproductions on aluminum. For the Print On Aluminum Dibond, we print your selected artwork onto the surface of the white-primed aluminum. The bright & white parts of the work of art shine with a silk gloss, however without glow. The colors of the print are luminous, fine details are clear and crisp, and you can literally perceive the matte appearance of the art print surface.
- Otisak na platnu: The UV printed canvas material mounted on a wooden stretcher frame. A canvas makes a sculptural look of three-dimensionality. A printed canvas of your favorite artpiece will allow you to transform your new art print into a large size work of art as you would see in a gallery. Hanging a canvas print: The advantage of canvas prints is that they are relatively low in weight. This means, it is quite simple to hang up the Canvas print without any wall-mounts. A canvas print is suited for all kinds of walls.
- Štampanje od akrilnog stakla (sa pravim staklenim premazom): An print on acrylic glass, which is often denoted as a an art print on plexiglass, changes the original into home décor. Moreover, it offers a great alternative to dibond and canvas fine art prints. The real glass coating protects your custom fine art print against light and heat for between 40-60 years.
Detalji o izvođaču
Umjetnik: | Aelbert Bouts |
Nacionalnost umjetnika: | holandski |
Poslovi: | slikar |
država: | Holandija |
Kategorija izvođača: | stari majstore |
Umro u dobi: | 98 godina |
Rođen: | 1451 |
Godina smrti: | 1549 |
Informacije o artiklu
Naziv umjetničkog djela: | "The Man of Sorrows" |
Klasifikacija djela: | slika |
Generički izraz: | klasična umjetnost |
Privremena klasifikacija: | 16th stoljeća |
Godina rada: | 1525 |
Doba umjetničkih djela: | Više od 490 godina |
Izvorni medij: | ulje na hrastu |
Originalna veličina umjetničkog djela: | Lučni vrh, 17 1/2 x 11 1/4 in (44,5 x 28,6 cm) |
Izloženo u: | Metropolitanski muzej umetnosti |
Lokacija muzeja: | New York City, New York, Sjedinjene Američke Države |
Web stranica muzeja: | www.metmuseum.org |
Licenca umjetničkog djela: | javnosti |
Ljubaznošću: | Muzej umjetnosti Metropolitan, New York, Zbirka Friedsam, Oporuka Michaela Friedsama, 1931 |
Kreditna linija umjetničkih djela: | Zbirka Friedsam, ostavština Michaela Friedsama, 1931 |
O ovom članku
Ispiši kategorizaciju: | likovni tisak |
Način reprodukcije: | digitalna reprodukcija |
Način proizvodnje: | UV direktni ispis |
Proizvodnja: | proizvedeno u Njemačkoj |
Vrsta zaliha: | proizvodnja na zahtjev |
Predložena upotreba proizvoda: | zidna slika, zidni ukras |
Orijentacija: | portretni format |
Odnos strane: | 2: 3 dužina do širine |
Implikacija bočnog omjera: | dužina je 33% kraća od širine |
Dostupni reprodukcijski materijali: | print na akrilnom staklu (s pravim staklenim premazom), poster na platnu (platneni papir), metalni print (aluminijski dibond), print na platnu |
Tisak na platnu (platno na nosaču okvira): | 20x30cm - 8x12 ", 40x60cm - 16x24", 60x90cm - 24x35 ", 80x120cm - 31x47", 100x150cm - 39x59 " |
Varijante akrilnog stakla (sa pravim staklenim premazom): | 20x30cm - 8x12 ", 40x60cm - 16x24", 60x90cm - 24x35 ", 80x120cm - 31x47", 100x150cm - 39x59 " |
Opcije veličine štampe plakata (papir na platnu): | 40x60cm - 16x24 ", 60x90cm - 24x35", 80x120cm - 31x47 " |
Varijante aluminijumskog dibonda (aluminijumski materijal): | 20x30cm - 8x12 ", 40x60cm - 16x24", 60x90cm - 24x35 ", 80x120cm - 31x47" |
Uokvirivanje umjetničkim tiskom: | neuokvirena umjetnička kopija |
Important legal note: We try everythig possible in order to describe our art products as clearly as possible and to showcase them visually. However, the tone of the print products and the printing can vary slightly from the representation on the device's screen. Depending on the screen settings and the condition of the surface, not all color pigments will be printed one hundret percent realistically. Since our art prints are printed and processed by hand, there might as well be minor discrepancies in the motif's size and exact position.
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