Bartholomeus van Bassen, 1626 - Unutrašnjost katoličke crkve - grafika

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Godine 1626 Bartolomeus van Bassen oslikao 17th stoljeća remek-djelo "Interior of a Catholic Church". The version of the piece of art had the dimensions visina: 61 cm širina: 83 cm | visina: 24 u širinu: 32,7 in. Ulje na platnu was used by the European painter as the technique for the masterpiece. The original artwork is inscribed with the following information: signed and dated: B. van Bassen / 1626. This work of art forms part of the collection of Mauritshuis. We are pleased to mention that this artpiece, which is in the javnosti je uključen uz uslugu Mauritshuis, Hag. The creditline of the artpiece is the following: Princess Henriette Catharina; Oranienstein Palace, Diez, 1726; by inheritance to Prince William V, The Hague, until 1795; confiscated by the French, transferred to the Muséum Central des Arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822. Further, the alignment of the digital reproduction is in pejzaž format i ima omjer širine i visine 4: 3, to znači dužina je 33% duža od širine. The painter, architect Bartholomeus van Bassen was a European artist from the Netherlands, whose artistic style was primarily Baroque. The Baroque artist lived for a total of 72 godina - rođeni godine 1580 u Hagu, Južna Holandija, Holandija i umro 1652. godine.

What does the website of the Mauritshuis state about this work of art created by Bartholomeus van Bassen? (© Autorska prava - Mauritshuis - Mauritshuis)

Princeza Henriette Catharina; Palata Oranienstein, Diez, 1726; nasljedstvom princa Williama V, Hag, do 1795; zaplenili Francuzi, prebačeni u Muséum Central des Arts / Musée Napoléon (Musée du Louvre), Pariz, 1795-1815; Kraljevska galerija slika, smještena u galeriji Princa Williama V, Hag, 1816; prebačen u Mauritshuis, 1822

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Padajući meni proizvoda daje vam priliku da odaberete svoju omiljenu veličinu i materijal. Možete birati između sljedećih opcija prilagođavanja proizvoda:

• Poster na platnu: A poster print is a printed canvas paper with a slightly rough surface texture. Please bear in mind, that depending on the size of the poster print we add a white margin between 2-6cm round about the artwork, which facilitates the framing with your custom frame.
• Aluminijski dvobojni otisak (metal): This is a metal print manufactured on aluminium dibond material with an outstanding depth, which makes a modern look with a surface structure, which is non-reflective. A direct Aluminium Dibond Print is your excellent start to the sophisticated world of art prints made with aluminum. For your Direct Aluminium Dibond option, we print your artwork on the aluminium composite white-primed surface.
• Otisak na platnu: A canvas direct print is a printed cotton canvas stretched on a wooden frame. Your canvas of your favorite artwork will allow you to transform your fine art print into a large work of art like you would see in a gallery. Hanging a canvas print: The advantage of canvas prints is that they are relatively low in weight, which means that it is easy and straightforward to hang up the Canvas print without the help of any wall-mounts. Canvas prints are suitable for any type of wall.
• Otisak iz akrilnog stakla: A glossy print on acrylic glass, often named a UV print on plexiglass, makes the original work of art into great wall decoration. In addition, the acrylic fine art print forms a viable alternative to aluminium and canvas art prints. The artwork is being custom-made with modern UV direct print technology. The real glass coating protects your selected art replica against light and external influences for between 40-60 years.

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Važna pravna napomena: We try whatever we can to depict our products as clearly as possible and to illustrate them visually in our shop. Still, the tone of the printed materials, as well as the print result can vary somehwat from the representation on the device's monitor. Depending on your settings of your screen and the condition of the surface, not all colors can be printed one hundret percent realistically. Given that the fine art prints are printed and processed manually, there may as well be minor differences in the motif's exact position and the size.

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