Pedro Orrente, 1625 - Raspeće - grafika

59,99 €

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Informacije o umjetničkom proizvodu

Ovo remek-djelo kreirao je Pedro Orrente 1625. I dalje 390 year old original measures the size: 48 3/4 × 40 1/2 in (123,8 × 102,9 cm) and was produced with the medium oil on canvas. This artpiece can be viewed in in the Muzej umjetnosti Metropolitan collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of The Metropolitan Museum of Art, New York, Purchase, Charles and Jessie Price and Fern and George Wachter Gifts, 2014 (licencirano: javno vlasništvo). The creditline of the artwork is: Purchase, Charles and Jessie Price and Fern and George Wachter Gifts, 2014. What is more, the alignment is in portrait format and has an aspect ratio of 1 : 1.2, which implies that dužina je 20% kraća od širine. The painter Pedro Orrente was an artist, whose art style was primarily Baroque. The Spanish artist lived for 65 godina - rođeni 1580. godine i preminuli 1645. godine.

Odaberite opciju materijala proizvoda

Padajući meni proizvoda pruža vam priliku da odaberete svoj pojedinačni materijal i veličinu. Sljedeće veličine i materijali su opcije koje vam nudimo za individualizaciju:

  • Metalni otisak (aluminijumski dio): These are metal prints on aluminium dibond material with a true depth. The non-reflective surface creates a fashionable look. The colors of the print are luminous, the fine details appear very clear.
  • Otisak na platnu: The printed canvas material stretched on a wood stretcher frame. A canvas print generates a soft and warm effect. Canvas Prints have the advantage of being low in weight, meaning that it is easy to hang up your Canvas print without the help of any wall-mounts. That is why, canvas prints are suitable for all kinds of walls.
  • Štampani poster (platneni materijal): The poster print is a printed cotton canvas with a slightly rough finish on the surface. Please note, that depending on the absolute size of the canvas poster print we add a white margin 2-6cm round about the print motif, which facilitates the framing with a custom frame.
  • Otisak akrilnog stakla: An acrylic glass print, which is sometimes referred to as a print on plexiglass, will turn an artwork into beautiful wall decoration. The artwork is printed with modern UV print technology. This has the impression of sharp and vivid colors.

Važna napomena: We make every effort to depict the art products with as many details as possible and to display them visually in our shop. Please keep in mind that the tone of the print products, as well as the printing might vary to a certain extent from the image on your screen. Depending on your screen settings and the quality of the surface, not all colors can be printed as realisitcally as the digital version on this website. Considering that all the fine art prints are printed and processed manually, there may as well be minor discrepancies in the motif's exact position and the size.

Proizvod

Kategorizacija proizvoda: umjetnička reprodukcija
Način reprodukcije: digitalna reprodukcija
Način proizvodnje: digitalna štampa
Proizvodnja: proizvedeno u Njemačkoj
Vrsta zaliha: proizvodnja na zahtjev
Predviđena upotreba: uređenje doma, umjetnička kolekcija (reprodukcije)
Orijentacija: portretni format
Odnos slike: 1: 1.2 dužina do širina
Značaj omjera slike: dužina je 20% kraća od širine
Opcije tkanine: otisak plakata (papir na platnu), metalni otisak (aluminijski dibond), otisak na platnu, otisak akrilnog stakla (sa pravim staklenim premazom)
Veličine na platnu (platnu na okviru nosila): 50x60cm - 20x24 ", 100x120cm - 39x47", 150x180cm - 59x71 "
Štampanje od akrilnog stakla (sa pravim staklenim premazom): 50x60cm - 20x24 ", 100x120cm - 39x47", 150x180cm - 59x71 "
Varijante plakata (platneni papir): 50x60cm - 20x24 ", 100x120cm - 39x47"
Varijante aluminijumske štampe: 50x60cm - 20x24 ", 100x120cm - 39x47"
okvir: neuokvireni proizvod

Osnovne informacije o umjetničkom djelu

Naziv dela: "Raspeće"
Klasifikacija umjetničkog djela: slika
Generički izraz: klasična umjetnost
period: 17th stoljeća
Nastalo u godini: 1625
Doba umjetničkih djela: 390 godina
Medijum originalnih umjetničkih djela: ulje na platnu
Originalno umetničko delo: 48 3 × 4 cm (40/1 × 2 123,8/102,9 in)
Muzej: Metropolitanski muzej umetnosti
Lokacija muzeja: New York City, New York, Sjedinjene Američke Države
Web stranica muzeja: www.metmuseum.org
Vrsta licence: javnosti
Ljubaznošću: The Metropolitan Museum of Art, New York, Purchase, Charles and Jessie Price and Fern and George Wachter Gifts, 2014
Kreditna linija za umjetničko djelo: Purchase, Charles and Jessie Price and Fern and George Wachter Gifts, 2014

Tabela metapodataka o izvođaču

Ime izvođača: Pedro Orrente
Poznat i kao: Pedro Orrente, pedro rrente, Pedro renti, mro Pedro orr^Tte^R, Orrente, orriente, Pedro orantte, Pedro dorrente, orrentte, Pedro Orente, Orrente Pedro, P.o orrente, Orrenti, P^To^R Rente, Pedro Orentes, Orrente Pedro de, Bassano Español El, Pedro orentte, Jumilla Pedro de Orrente, pedro Lorente, orente, Orrente y Jumilla Pedro de, orentte, Pedro Orrentte, Rente Pedro, Pedro Rente, p^To^R renti, Pedro renz
Pol umjetnika: muški
Nacionalnost: španski
Poslovi umjetnika: slikar
Zemlja umjetnika: Španija
Kategorija izvođača: stari majstore
Stilovi izvođača: Barok
Životni vijek: 65 godina
Rođen: 1580
Umro u godini: 1645

© Autorsko pravo zaštićeno | Artprinta.com (Artprinta)

What does the The Metropolitan Museum of Art say about the 17th century work of art from the painter Pedro Orrente? (© Copyright - Metropolitanski muzej umjetnosti - Metropolitanski muzej umetnosti)

As recounted in the Gospel of Matthew 27:45-49, Christ has called out from the cross to God, and a bystander has “fetched a sponge, which he soaked in sour wine, and held it to his lips on the end of a cane.” Saint John stands below the cross as the Virgin Mary and two companions arrive, mourning, while three soldiers at left gamble for Christ's tunic. The figure on the ladder is a particularly brilliant narrative interpolation.Pedro Orrente spent time in Venice and Rome. Upon his return to Spain he worked in Toledo, where he knew El Greco, whose work must suddenly have looked old fashioned compared to the new naturalism of Caravaggesque painting. This is the finest of a much-repeated composition.

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