Thomas Moran, 1881. - Green River Cliffs, Wyoming - grafički prikaz

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ovo 19th stoljeća umjetničko djelo izradio je romantičar umjetnik Thomas Moran 1881. Danas se ovo umjetničko djelo može pogledati u Nacionalna galerija umjetnosti art collection, which is the museum of the US-American nation that preserves, collects, exhibits, and fosters an understanding of works of art. We are delighted to reference that the javnosti work of art is supplied with courtesy of National Gallery of Art, Washington.The creditline of the artwork is the following: . On top of that, alignment is landscape with a ratio of 5: 2, to znači dužina je dva i po puta duža od širine. The painter, etcher, explorer, lithographer Thomas Moran was a North American artist from United States, whose art style was mainly Romanticism. The Romanticist artist was born in the year 1837 u Boltonu, Bolton, Engleska, Ujedinjeno Kraljevstvo i preminuo u godini 89 in 1926 in Santa Barbara, Santa Barbara county, California, United States.

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General specifications by National Gallery of Art (© - National Gallery of Art - www.nga.gov)

Oil on canvas, 63.5 x 157.5 cm (25 x 62 in.)

Overview: In June 1871, Thomas Moran, a gifted young artist working in Philadelphia, boarded a train that would take him to the far reaches of the western frontier and change the course of his career. Just a few months earlier he had been asked to illustrate a magazine article describing a wondrous region in Wyoming called Yellowstone—rumored to contain steam-spewing geysers, boiling hot springs, and bubbling mud pots. Eager to be the first artist to record these astonishing natural wonders, Moran quickly made plans to travel west.

Yellowstone was Moran's ultimate destination in the summer of 1871, but before he reached the land of geysers and hot springs, he stepped off the train in Green River, Wyoming, and discovered a landscape unlike any he had ever seen. Rising above the dusty railroad town were towering cliffs, reduced by nature to their geologic essence. Captivated by the bands of color that centuries of wind and water had revealed, Moran completed a small field study he later inscribed "First Sketch Made in the West." Moran went on to join F. V. Hayden's survey expedition to Yellowstone and complete the watercolors that would later play a key role in the Congressional decision to set the region aside as America's first national park. Over the years, however, the subject Moran returned to repeatedly was the western landscape he saw first—the magnificent cliffs of Green River.

Green River, Wyoming, was a bustling railroad town when Moran arrived in 1871. Three years earlier, Union Pacific construction crews had arrived intent on bridging the river. Their tent camp quickly became a boomtown boasting a schoolhouse, hotel, and brewery. Yet none of these structures appear in Moran's Green River paintings. Even the railroad is missing. Instead, the dazzling colors of the sculpted cliffs and an equally colorful band of Indians are the focus. In a bravura display of artistic license, Moran erased the reality of advancing civilization, conjuring instead an imagined scene of a pre-industrial West that neither he nor anyone else could have seen in 1871. Ten years after his first trip west, Moran completed Green River Cliffs, Wyoming, the most stunning of all his Green River paintings.

The National Gallery of Art is honored to announce the acquisition of Thomas Moran's Green River Cliffs, Wyoming, 1881, a gift of the Milligan and Thomson Families.