Théodore Rousseau, 1846 - Šuma zimi na zalasku sunca - grafički prikaz
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Ovo je gotovo 170 godine umjetničko djelo pod nazivom The Forest in Winter at Sunset je kreirao muški umjetnik Théodore Rousseau. The artwork was made with the size: 64 x 102 3/8 in (162,6 x 260 cm). Oil on canvas was used by the European artist as the medium of the artpiece. It belongs to the art collection of Metropolitanski muzej umetnosti, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of: The Metropolitan Museum of Art, New York, Gift of P. A. B. Widener, 1911 (licencirano - javno vlasništvo). Creditline of the artwork: Gift of P. A. B. Widener, 1911. In addition to this, the alignment of the digital reproduction is pejzaž sa bočnim omjerom od 3: 2, što to implicira dužina je 50% duža od širine. Théodore Rousseau was a male painter from France, whose art style was primarily Realism. The Realist artist was born in the year 1812 u Parizu u Francuskoj i umro u dobi od 55 in 1867 in Barbizon, France.
Mogućnosti materijala vašeg proizvoda
The product dropdown menu ofers you the opportunity to select your individual size and material. You can choose among the following product customization options:
- Otisak akrilnog stakla: The acrylic glass print, often denoted as a fine art print on plexiglass, changes your chosen original artwork into magnificient home decoration. The work of art is made with modern UV direct printing technology. This creates the impression of vivid, stunning colors. The great upside of a plexiglass fine art print is that contrasts and smaller painting details will be recognizeable thanks to the very subtle gradation of the picture. Our real glass coating protects your chosen art replica against sunlight and external influences for many years.
- Štampani poster (platneni materijal): The poster is a printed flat canvas paper with a nice finish on the surface. A poster print is best designed for framing the fine art print using a customized frame. Please note, that depending on the absolute size of the poster we add a white margin of something between 2-6 cm round about the artwork to facilitate the framing with your custom frame.
- Platno: The UV printed canvas stretched on a wooden frame. The advantage of canvas prints is that they are relatively low in weight, which means that it is quite simple to hang your Canvas print without the use of any wall-mounts. Canvas prints are suited for any type of wall.
- Aluminijski dibond: Aluminium Dibond prints are prints on metal with a true effect of depth. A direct Aluminium Dibond Print is the perfect introduction to fine art reproductions on aluminum. For your Direct Aluminium Dibond print, we print your favorite work of art right on the surface of the aluminum. The colors are luminous in the highest definition, fine details are crisp and clear, and there’s a matte look that you can literally feel.
Važna informacija: We try everything in order to describe the products as clearly as possible and to illustrate them visually. However, the tone of the print materials and the imprint can vary slightly from the representation on your device's monitor. Depending on your screen settings and the condition of the surface, not all colors will be printed 100% realistically. Because our art reproductions are processed and printed manually, there may as well be slight discrepancies in the size and exact position of the motif.
Tabela predmeta
Vrsta proizvoda: | zidna umetnost |
Reprodukcija: | reprodukcija u digitalnom formatu |
Tehnika proizvodnje: | UV direktno tiskanje |
Proizvodnja: | Nemačke proizvodnje |
Vrsta zaliha: | na zahtjev |
Upotreba proizvoda: | zidni dekor, zidna galerija |
Orijentacija: | pejzažni format |
Odnos slike: | 3: 2 - (dužina: širina) |
Tumačenje: | dužina je 50% duža od širine |
Dostupne varijante: | otisak plakata (papir na platnu), metalni otisak (aluminijski dibond), otisak na platnu, otisak akrilnog stakla (sa pravim staklenim premazom) |
Tisak na platnu (platno na nosaču okvira): | 30x20cm - 12x8 ", 60x40cm - 24x16", 90x60cm - 35x24 ", 120x80cm - 47x31", 150x100cm - 59x39 " |
Varijante akrilnog stakla (sa pravim staklenim premazom): | 30x20cm - 12x8 ", 60x40cm - 24x16", 90x60cm - 35x24 ", 120x80cm - 47x31", 150x100cm - 59x39 " |
Opcije štampe plakata (platneni papir): | 60x40cm - 24x16 ", 90x60cm - 35x24", 120x80cm - 47x31 " |
Aluminijski dvobojni otisak: | 30x20cm - 12x8 ", 60x40cm - 24x16", 90x60cm - 35x24 ", 120x80cm - 47x31" |
Uokvirivanje umetničke kopije: | neuokvirena umjetnička kopija |
Osnovne informacije o umjetničkom djelu
Naziv slike: | "The Forest in Winter at Sunset" |
Klasifikacija umetničkog dela: | slika |
Široka kategorija: | moderna umjetnost |
vrijeme: | 19th stoljeća |
Kreirano u: | 1846 |
Doba umjetničkih djela: | oko 170 godina |
Medijum originalnih umjetničkih djela: | ulje na platnu |
Originalne dimenzije (umjetničko djelo): | (64 x 102 cm) 3 x 8 162,6/260 in |
Muzej / lokacija: | Metropolitanski muzej umetnosti |
Mjesto muzeja: | New York City, New York, Sjedinjene Američke Države |
Web stranica muzeja: | www.metmuseum.org |
Licenca za umjetničko djelo: | javnosti |
Ljubaznošću: | The Metropolitan Museum of Art, New York, Gift of P. A. B. Widener, 1911 |
Kreditna linija za umjetničko djelo: | Gift of P. A. B. Widener, 1911 |
O slikaru
Ime umjetnika: | Théodore Rousseau |
Pol izvođača: | muški |
Nacionalnost izvođača: | francuski |
Zanimanja umjetnika: | slikar |
Matična država: | Francuska |
Klasifikacija umjetnika: | moderni umjetnik |
Likovni stilovi: | Realizam |
Lifetime: | 55 godina |
Rođen: | 1812 |
Grad rođenja: | Pariz, Francuska |
Umro u godini: | 1867 |
Grad smrti: | Barbizon, Francuska |
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Dodatni opis Muzeja umjetnosti Metropolitan (© Autorska prava - Muzej umjetnosti Metropolitan - Metropolitanski muzej umetnosti)
Unrivaled for its scale and ambition, this monumental forest scene was begun early in Rousseau's career and remained unfinished at the time of his death, despite the urging of Millet and other artist friends to complete and exhibit it. By one account, Rousseau’s intention was to recreate the effect of a sunset he had seen in Bas-Bréau, a section of Fontainebleau forest, in December 1845. The tangled web of trees, denuded of foliage and suffused with deep color, conveys a sense of awe before nature that is amplified by the presence of two stooped peasants at the center.