Jacopo de 'Barbari, 1507 - Portret Henrika V (1479-1552), vojvode od Mecklenburga - tisak

The 16th stoljeća umjetničko djelo kreirao je italijanski slikar Jacopo de' Barbari in 1507. Verzija umjetničkog djela mjeri veličinu: visina: 59,3 cm širina: 37,5 cm | visina: 23,3 u širinu: 14,8 in. Ulje na ploči was applied by the painter as the technique for the artpiece. The original artwork has the following inscription: "inscription and dated: HENRICV REFERO DVCE MEGAPOLESE, / MAGNI FILIVM ANNOS NATV, / OCTO ET VIGITI / M.D.VII, / ANATALICRISTIAO / CALENDIS, / MAIIS". Today, this piece of art is included in the Mauritshuisova kolekcija. Uz ljubaznost Mauritshuis, Hag (licenca - javno vlasništvo). Kreditna linija umjetničkog djela je: Heidelberg Castle, 1685; Lord Cromwell, Misterton Hall, Lutterworth, Leicestershire; M.C. Mège, Paris, 1909; B. Houthakker Gallery, Amsterdam, 1929; J.C.H. Heldring, Oosterbeek, 1929-1940; B. Houthakker Gallery, Amsterdam, after 10 May 1940; F.W.H. Hollstein Gallery, Amsterdam; Jacques Goudstikker/Alois Miedl Gallery, 16 October 1940; Almas Gallery, Munich; H. Hoffmann, Munich, 1940; Reichskanzlei, Berlin, 1940; Adolf Hitler, Führermuseum, Linz; Stichting Nederlands Kunstbezit (inv. no. NK 2547); on loan to the Mauritshuis, 1951-1960; transferred, 1960. Moreover, alignment is portrait with an aspect ratio of 2 : 3, which implies that the length is 33% shorter than the width. Jacopo de' Barbari was a painter of Italian nationality, whose artistic style can mainly be classified as High Renaissance. The Italian artist was born in the year 1470 and died at the age of 46 in 1516.

Original artwork specifications by Mauritshuis website (© - by Mauritshuis - Mauritshuis)

Heidelberg Castle, 1685; Lord Cromwell, Misterton Hall, Lutterworth, Leicestershire; M.C. Mège, Paris, 1909; B. Houthakker Gallery, Amsterdam, 1929; J.C.H. Heldring, Oosterbeek, 1929-1940; B. Houthakker Gallery, Amsterdam, after 10 May 1940; F.W.H. Hollstein Gallery, Amsterdam; Jacques Goudstikker/Alois Miedl Gallery, 16 October 1940; Almas Gallery, Munich; H. Hoffmann, Munich, 1940; Reichskanzlei, Berlin, 1940; Adolf Hitler, Führermuseum, Linz; Stichting Nederlands Kunstbezit (inv. no. NK 2547); on loan to the Mauritshuis, 1951-1960; transferred, 1960

Osnovni podaci o originalnom umjetničkom djelu

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Moguće opcije materijala proizvoda

Za svaku umjetničku grafiku nudimo različite veličine i materijale. Stoga vam omogućavamo da odaberete između sljedećih opcija:

• Aluminijski dibond (metalni otisak): An Aluminium Dibond print is a print material with an impressive depth effect. The bright and white parts of the original work of art shimmer with a silk gloss, however without the glow. The UV print on aluminium is one of the most popular entry-level products and is a truly modern way to display art prints, because it puts all of the viewer’s focus on the whole artwork.
• Otisak iz akrilnog stakla: A glossy acrylic glass print, often described as a fine art print on plexiglass, will convert the artwork into wonderful home decoration. Your own version of the work of art will be manufactured with modern UV direct printing machines. With a glossy acrylic glass art print contrasts and minor details become more visible with the help of the subtle tonal gradation.
• Ispis na platnu: The canvas print, which shall not be confused with a canvas painting, is a digital replica applied on a canvas. The advantage of canvas prints is that they are relatively low in weight, which implies that it is easy and straightforward to hang up the Canvas print without the support of additional wall-mounts. Canvas prints are suitable for all types of walls.
• poster (materijal na platnu): A poster is a UV printed canvas paper with a nice surface finish. Please bear in mind, that depending on the size of the poster print we add a white margin of approximately 2-6 cm around the work of art, which facilitates the framing with your custom frame.

O ovom predmetu

odricanje od odgovornosti: We try our utmost to describe the art products in as much detail as possible and to exhibit them visually. Although, some pigments of the print products, as well as the printing might differ slightly from the presentation on the monitor. Depending on the screen settings and the quality of the surface, color pigments can unfortunately not be printed one hundret percent realistically. Because the are printed and processed manually, there might as well be slight variations in the motif's size and exact position.

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