Andrea Mantegna, 1495. - Sveta obitelj sa svetom Marijom Magdalenom - grafički prikaz

Specifikacije proizvoda

The 15th stoljeća artwork was made by the high renaissance master Andrew Mantegna. The beyond 520 year old original was painted with the size of 22 (1 x 2 cm) 18 57,2/45,7 x XNUMX in. Distemper on canvas was used by the Italian painter as the technique for the artwork. This work of art is in the the collection of Metropolitanski muzej umetnosti u New Yorku, New York, Sjedinjene Američke Države. Uz ljubaznost Muzej umjetnosti Metropolitan, New York, ostavština Benjamina Altmana, 1913 (licenca - javno vlasništvo). Kreditna linija umjetničkog djela je sljedeća: Oporuka Benjamina Altmana, 1913. Poravnanje je u portretu format i ima bočni omjer 1: 1.2, meaning that the length is 20% shorter than the width. Andrea Mantegna was a male painter of Italian nationality, whose art style can mainly be attributed to High Renaissance. The Italian artist lived for 76 godina - rođeni godine 1430 in Padova province, Veneto, Italy and died in 1506.

Odaberite svoj materijal

The product dropdown menu gives you the possibility to select the material and sizeaccording to your preferences. The following sizes and materials are the options we offer you for individualization:

• Štampa plakata na platnu: The poster is a printed flat canvas paper with a granular surface structure. A printed poster is suited for framing your art print in a special frame. Please note, that depending on the size of the poster print we add a white margin between 2-6cm round about the work of art, which facilitates the framing with your custom frame.
• Tiskano akrilno staklo: An acrylic glass print, which is often referenced as a UV print on plexiglass, will convert your favorite original into wall decoration.
• Aluminijski dvobojni otisak (metal): This is a metal print manufactured on aluminium dibond material with a true depth effect - for a modern look and non-reflective surface. For our Aluminium Dibond option, we print the chosen work of art on the aluminium composite surface. The white and bright parts of the original artpiece shine with a silk gloss but without glow. This print on Aluminum Dibond is the most popular entry-level product and is a truly sophisticated way to display art reproductions, because it draws attention on the artwork.
• Otisak na platnu: The canvas direct print is a printed canvas mounted on a wooden frame. Furthermore, a canvas print creates a cosy and warm effect. A printed canvas of your favorite artpiece will provide you with the opportunity of turning your fine art print into a large size artpiece as you would see in a gallery. Canvas Prints have the advantage of being low in weight, which means that it is easy and straightforward to hang up your Canvas print without the help of any wall-mounts. Canvas prints are suitable for any kind of wall.

Pravno odricanje odgovornosti: We try all that we can to describe our art products in as much detail as possible and to exhibit them visually on the respective product detail pages. Nonetheless, the tone of the printing material, as well as the imprint may vary somehwat from the representation on your monitor. Depending on the screen settings and the quality of the surface, color pigments might not be printed one hundret percent realistically. In view of the fact that our are processed and printed manually, there may as well be minor variations in the motif's exact position and the size.

Proizvod

Pozadinski podaci o originalnom umjetničkom djelu

Tabela detalja o izvođaču

© Copyright - intelektualno vlasništvo - Artprinta.com (Artprinta)

General description from the museum's website (© Copyright - The Metropolitan Museum of Art - www.metmuseum.org)

The composition of this late picture by Mantegna was inspired by Roman funerary reliefs, which accounts for the combination of austerity and sweetness. It is painted in distemper rather than oil, allowing the artist to give strong definition to the forms. Originally, the colors would have had a freshness and clarity. However, the picture has suffered from past cleanings and its surface has been varnished, compromising the intended effect. Mantegna painted for the elite Gonzaga court in Mantua, where the antiquarian culture informing this picture would have been appreciated.