Vincent van Gogh, 1887. - Grožđe, limuni, kruške i jabuke - grafika

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Ponuda umjetničkih proizvoda

Slika Grapes, Lemons, Pears, and Apples je naslikao muški slikar Vincent van Gogh in 1887. Više od 130 originalna kreacija stara godine dimenzije 46,5 × 55,2 cm (18 1/4 × 21 3/4 inča) i slikana je tehnika ulje na platnu. Štaviše, ovaj umjetnički rad nalazi se u Institut za umjetnost u Chicagu zbirka digitalne umjetnosti u Chicago, Illinois, Sjedinjene Američke Države. This modern art artpiece, which belongs to the public domain is being supplied with courtesy of Umjetnički institut Chicago. : Gift of Kate L. Brewster. Further, the alignment of the digital reproduction is in pejzaž format sa omjerom slike od 1.2: 1, što to implicira dužina je 20% duža od širine. The painter, botanical illustrator, printmaker, drawer Vincent van Gogh was a European artist from the Netherlands, whose artistic style can primarily be classified as Post-Impressionism. The Post-Impressionist artist was born in the year 1853 u Zundertu, Sjeverni Brabant, Holandija i umro u dobi od 37 1890. u Auvers-sur-Oise, Ile-de-France, Francuska.

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Nudimo niz različitih materijala i veličina za svaki proizvod. Sljedeće veličine i materijali su opcije koje vam nudimo za individualizaciju:

  • Platno: The canvas print is a printed cotton canvas mounted on a wooden frame. Hanging a canvas print: The advantage of canvas prints is that they are relatively low in weight, meaning that it is easy and straightforward to hang your Canvas print without additional wall-mounts. Hence, a canvas print is suitable for all types of walls.
  • Poster na platnu: The poster print is a UV printed canvas with a fine surface texture, that resembles the actual artwork. It is used for putting your art print with a special frame. Please bear in mind, that depending on the size of the poster print we add a white margin between 2-6cm round about the artwork, which facilitates the framing with your custom frame.
  • Tiskano akrilno staklo (sa pravim premazom od stakla na vrhu): A glossy acrylic glass print, often labelled as a UV print on plexiglass, changes the original into marvellous décor. Your artwork is made with the help of modern UV print technology. This creates the effect of stunning, rich color tones.
  • Aluminijski dibond (metalni otisak): This is a metal print manufactured on alu dibond with an impressive effect of depth. For your Direct Print On Aluminum Dibond, we print the artwork onto the aluminium composite surface. The bright sections of the artwork shimmer with a silky gloss, however without any glow. Colors are bright and vivid, fine details appear very clear, and you can truly feel a matte appearance of the art print surface.

Pravno odricanje odgovornosti: We try in order to describe the products as accurate as we can and to demonstrate them visually on the respective product detail pages. Although, the colors of the printing material and the imprint may differ somehwat from the presentation on your screen. Depending on the settings of your screen and the nature of the surface, colors might not be printed as exactly as the digital version. Bearing in mind that our art reproductions are printed and processed by hand, there might as well be slight deviations in the motif's exact position and the size.

Detalji o strukturiranom proizvodu

Ispis proizvoda: zidna umetnost
Način reprodukcije: digitalna reprodukcija
Tehnika izrade: UV direktni ispis
Porijeklo proizvoda: proizvedeno u Njemačkoj
Vrsta zaliha: na zahtjev
Upotreba proizvoda: umjetnička zbirka (reprodukcije), zidni dekor
Poravnanje: pejzažni format
Omjer: 1.2: 1 - (dužina: širina)
Značenje: dužina je 20% duža od širine
Dostupne reprodukcijske tkanine: print na akrilnom staklu (s pravim staklenim premazom), poster na platnu (platneni papir), print na platnu, metalni print (aluminijski dibond)
Mogućnosti veličine platna na okviru nosila (otisak platna): 60x50cm - 24x20 ", 120x100cm - 47x39", 180x150cm - 71x59 "
Veličine akrilnog stakla (sa stvarnim staklenim premazom): 60x50cm - 24x20 ", 120x100cm - 47x39", 180x150cm - 71x59 "
Opcije štampe plakata (platneni papir): 60x50cm - 24x20 ", 120x100cm - 47x39"
Varijante aluminijumske štampe: 60x50cm - 24x20 ", 120x100cm - 47x39"
Uokvirivanje umjetničkim tiskom: bez okvira

Informacije o artiklu

Naziv umjetničkog djela: "Grapes, Lemons, Pears, and Apples"
Kategorizacija umjetničkog djela: slika
Široka kategorija: moderna umjetnost
Privremena klasifikacija: 19th stoljeća
Godina rada: 1887
Približna starost umjetničkog djela: 130 godina
Izvorni medij umjetničkog djela: ulje na platnu
Originalno umetničko delo: 46,5 × 55,2 cm (18 1/4 × 21 3/4 inča)
Izloženo u: Umjetnički institut Chicago
Lokacija muzeja: Chicago, Illinois, Sjedinjene Američke Države
Web stranice: Umjetnički institut Chicago
Licenca za umjetničko djelo: javnosti
Ljubaznošću: Umjetnički institut Chicago
Kreditna linija umjetničkih djela: Poklon Kate L. Brewster

Kontekstualne informacije o izvođaču

Ime izvođača: Vincent van Gogh
Poznat i kao: van gogh, Fangu, Van-Gog Vint︠s︡ent, Gogh Vincent van, Gogh Vincent Willem van, ゴッホ, ビンセントゴッホ, Gogh, גוג וינסנט ואן, Fan-kao, Vincent van Gogh, j. van gogh, גוך וינסנט ואן, 梵高, Gogh Vincent-Willem van, Fan-ku, Fan'gao, Fangu Wensheng, van Gogh Vincent, v. van gogh
Spol: muški
Nacionalnost umjetnika: holandski
Zanimanja: ladica, botanički ilustrator, grafičar, slikar
država: Holandija
Klasifikacija umjetnika: moderni umjetnik
Likovni stilovi: Postimpresionizam
Preminuo u dobi: 37 godina
Rođen: 1853
Mjesto rođenja: Zundert, Sjeverni Brabant, Nizozemska
Godina smrti: 1890
Preminuli u (mjesto): Auvers-sur-Oise, Ile-de-France, Francuska

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Supplemental information from the museum (© - by Art Institute Chicago - Umjetnički institut Chicago)

This is one of a group of related canvases featuring seasonal fruit that Vincent van Gogh painted in the fall of 1887. In these works, he simplified his palette, employed more vibrant colors, and used a thicker, broader paint application than he had earlier. Here he explored the use of complementary colors—yellow and purple, blue and orange, and red and green—in the service of chromatic intensity. The effect of these color contrasts is heightened by the pulsating pattern of brushstrokes that defines the tablecloth and creates a force field around the fruit. The painting was probably among the “violent still lifes”—to quote Van Gogh’s friend the painter Emile Bernard—that he included in the group exhibition of young avant-garde artists that he organized at a local restaurant in November–December 1887.

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