Nicolaes Pietersz Berchem, 1670 - Alegorija ljeta - likovni tisak

Dodatni opis iz muzeja (© - Mauritshuis - Mauritshuis)

Herman van Swoll, Amsterdam, c.1670-1698; his sale, Amsterdam, 22 April 1699, no. 20 (the entire series for 570 guilders); private collection, Amsterdam; anonymous sale, Amsterdam, 13 July 1718 (Lugt 267), no. 5 (the entire series for 505 guilders); sale Amsterdam (Daniel Adrianus Beukelaar), 22 May 1731 (Lugt 409a), no. 1; Morel collection, Paris; Morel sale, Paris (Lebrun), 3 May 1786 (Lugt 4025 and 4040), no. 70 (the entire series for 7801 livres to Langlier); Jacques Langlier Gallery, Paris, 1786-1789; his sale (‘Lenglier’), Paris (Lebrun), 15 April 1789 (Lugt 4422 and 4429), no. 50 (unsold); private collection, Paris, until 1834; Marseille Middleton Holloway, London; his sale, London, 1872 (the entire series for 170 pounds to Nieuwenhuys); Charles J. Nieuwenhuys Gallery, Brussels and London, 1872-1886; his sale, London (Christie’s), 17 July 1886 (Lugt 45927), no. 55 (together with inv. no. 1220 for 49 guineas to McLean); McLean collection, London; Eugène Fischof Gallery, Paris (together with inv. no. 1220); anonymous sale, London (Christie’s), 22 June 1901, no. 3; anonymous collection, United States, until 1924; A.- G. (Boehler & Steinmeyer) Gallery, Lucerne, 1924-1927; D. Katz Gallery, Dieren, 1927; A.- G. Luzern (Boehler & Steinmeyer) Gallery, Lucerne, 1934; anonymous collection, The Netherlands, 1934 (via D. Katz Gallery, Dieren?); sale The Hague (Van Marle and Bignell), 3 May 1944, no. 10 (offered for sale by ‘Schilderijen en Antiquiteitenhandel v/h D. Katz N.V.’, Dieren/The Hague; for 10.500 guilders to Dik on commission of Schmidt); J. Dik Gallery, Amsterdam, 1944; Führermuseum, Linz (Linz number 3479; bought for 12.180 guilders from Dik); Central Collecting Point, Altaussee, 1945; Central Collecting Point, Munich, 8 July 1945-8 July 1946; NK collection (inv. no. NK 2732), since 1946, kept by Stichting Nederlands Kunstbezit (SNK) / Rijksdienst Beeldende Kunst (RBK), The Hague / Instituut Collectie Nederland (ICN), Amsterdam-Rijswijk / Rijksdienst voor het Cultureel Erfgoed/Cultural Heritage Agency of the Netherlands (RCE), Amersfoort-Rijswijk; on loan to the Kunsthistorisch Instituut, Utrecht, from 1948; on loan to the Prince William V Gallery, The Hague, from 1977; on loan to the Mauritshuis, The Hague, 1992-2010; transferred by the Cultural Heritage Agency of the Netherlands into the keeping of the Mauritshuis, 2010

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For every product we offer different materials & sizes. You can select your favorite material and size between the following choices:

• Aluminijski dibond (metalni otisak): These are metal prints on aluminium dibond material with a true depth effect - for a modern look and non-reflective surface structure. For our Direct Print On Aluminum Dibond, we print the artwork onto the surface of the aluminum material. This direct UV print on aluminium is the most popular entry-level product and is a truly contemporary way to showcase artworks, as it puts all of the viewer’s focus on the artwork.
• Štampanje postera (materijal na platnu): A poster print is a UV printed canvas with a slight finish on the surface. It is appropriate for placing the art print with a custom frame. Please keep in mind, that depending on the absolute size of the poster print we add a white margin between 2-6cm around the print motif to facilitate the framing with your custom frame.
• Ispis na platnu: A printed canvas mounted on a wooden frame. A canvas creates the distinctive impression of three-dimensionality. Your printed canvas of your favorite masterpiece will allow you to transform your fine art print into a large collection piece. Canvas prints are relatively low in weight, meaning that it is quite simple to hang your Canvas print without the help of any wall-mounts. Therefore, a canvas print is suited for any type of wall.
• Otisak na akrilnom staklu: The acrylic glass print, which is often labelled as a UV print on plexiglass, makes your favorite original artwork into wall décor. Beyond that, it is a great alternative to canvas or dibond fine art prints. The plexiglass protects your selected art print against light and heat for up to 6 decades.

Detaljne informacije o proizvodu

Godine 1670 Nicolaes Pietersz Berchem made this piece of art "Allegory of Summer". Umjetničko djelo je imalo sljedeću veličinu: visina: 94 cm širina: 88 cm | visina: 37 u širinu: 34,6 in i bila je obojena ulje na platnu. The original artpiece has the following inscription: "signed: Berchem f.". The artpiece belongs to the Mauritshuisova collection in The Hague, South Holland, Netherlands. With courtesy of Mauritshuis, The Hague (javno vlasništvo). Kreditna linija umjetničkog djela je: Herman van Swoll, Amsterdam, c.1670-1698; his sale, Amsterdam, 22 April 1699, no. 20 (the entire series for 570 guilders); private collection, Amsterdam; anonymous sale, Amsterdam, 13 July 1718 (Lugt 267), no. 5 (the entire series for 505 guilders); sale Amsterdam (Daniel Adrianus Beukelaar), 22 May 1731 (Lugt 409a), no. 1; Morel collection, Paris; Morel sale, Paris (Lebrun), 3 May 1786 (Lugt 4025 and 4040), no. 70 (the entire series for 7801 livres to Langlier); Jacques Langlier Gallery, Paris, 1786-1789; his sale (‘Lenglier’), Paris (Lebrun), 15 April 1789 (Lugt 4422 and 4429), no. 50 (unsold); private collection, Paris, until 1834; Marseille Middleton Holloway, London; his sale, London, 1872 (the entire series for 170 pounds to Nieuwenhuys); Charles J. Nieuwenhuys Gallery, Brussels and London, 1872-1886; his sale, London (Christie’s), 17 July 1886 (Lugt 45927), no. 55 (together with inv. no. 1220 for 49 guineas to McLean); McLean collection, London; Eugène Fischof Gallery, Paris (together with inv. no. 1220); anonymous sale, London (Christie’s), 22 June 1901, no. 3; anonymous collection, United States, until 1924; A.- G. (Boehler & Steinmeyer) Gallery, Lucerne, 1924-1927; D. Katz Gallery, Dieren, 1927; A.- G. Luzern (Boehler & Steinmeyer) Gallery, Lucerne, 1934; anonymous collection, The Netherlands, 1934 (via D. Katz Gallery, Dieren?); sale The Hague (Van Marle and Bignell), 3 May 1944, no. 10 (offered for sale by ‘Schilderijen en Antiquiteitenhandel v/h D. Katz N.V.’, Dieren/The Hague; for 10.500 guilders to Dik on commission of Schmidt); J. Dik Gallery, Amsterdam, 1944; Führermuseum, Linz (Linz number 3479; bought for 12.180 guilders from Dik); Central Collecting Point, Altaussee, 1945; Central Collecting Point, Munich, 8 July 1945-8 July 1946; NK collection (inv. no. NK 2732), since 1946, kept by Stichting Nederlands Kunstbezit (SNK) / Rijksdienst Beeldende Kunst (RBK), The Hague / Instituut Collectie Nederland (ICN), Amsterdam-Rijswijk / Rijksdienst voor het Cultureel Erfgoed/Cultural Heritage Agency of the Netherlands (RCE), Amersfoort-Rijswijk; on loan to the Kunsthistorisch Instituut, Utrecht, from 1948; on loan to the Prince William V Gallery, The Hague, from 1977; on loan to the Mauritshuis, The Hague, 1992-2010; transferred by the Cultural Heritage Agency of the Netherlands into the keeping of the Mauritshuis, 2010. Povrh toga, poravnanje digitalne reprodukcije je trg i ima omjer slike od 1: 1, to znači dužina je jednaka širini.

Važna informacija: We try all that we can to depict our art products as accurately as possible and to illustrate them visually. Nonetheless, the pigments of the print products and the imprint can differ slightly from the image on your device's monitor. Depending on your settings of your screen and the condition of the surface, color pigments may not be printed one hundret percent realistically. Given that our are printed and processed by hand, there might also be slight differences in the motif's exact position and the size.

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