Annibale Carracci, 1583. - Dječak pije - likovni tisak

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Ovo umjetničko djelo naslikao je italijanski slikar Annibale Carracci. Originalna verzija je obojena veličinom - Uokvireno: 79 x 67 x 5,5 cm (31 1/8 x 26 3/8 x 2 3/16 in); Neuokvireno: 55,8 x 43,7 cm (21 15/16 x 17 3/16 in) and was painted with the medium oil on canvas. Moveover, this artwork is in the the Muzej umjetnosti u Clevelandu digitalna kolekcija, jedan od vodećih svjetskih muzeja koji gradi, čuva, proučava i dijeli svoje izvanredne umjetničke kolekcije iz svih razdoblja i dijelova svijeta, generirajući nove nauke i razumijevanje, istovremeno služeći kao socijalno i intelektualno središte za svoje zajednica. Uz ljubaznost - Cleveland Museum of Art (licenca za javno vlasništvo). : Leonard C. Hanna, Jr. fond. Štaviše, poravnanje je portret with a side ratio of 3 : 4, meaning that the length is 25% shorter than the width. The painter, graphic artist Annibale Carracci was a European artist, whose art style can primarily be assigned to Baroque. The Italian artist lived for 49 godina, born in the year 1560 in Bologna, Bologna province, Emilia-Romagna, Italy and passed away in the year 1609 in Rome, Roma province, Lazio, Italy.

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Za svaki proizvod nudimo niz različitih veličina i materijala. Možete birati između sljedećih opcija prilagođavanja proizvoda:

• Aluminijski dvobojni otisak: An Aluminium Dibond print is a print with an outstanding depth. A non-reflective surface structure make a contemporary look. A direct Direct Print on Aluminum Dibond is the excellent introduction to art replicas on aluminum. For your Direct Print On Aluminum Dibond, we print the work of art onto the surface of the aluminum. The white & bright parts of the original artpiece shine with a silky gloss but without the glare. This UV print on Aluminum Dibond is one of the most popular entry-level products and is an extremely stylish way to showcase fine art reproductions, because it puts all of the viewer’s attention on the whole artwork.
• Otisak na sjajnom akrilnom staklu: A glossy acrylic glass print, which is often labelled as a an art print on plexiglass, changes your favorite original into magnificient décor. Moreover, the acrylic print is a great alternative to canvas or dibond art prints. Our real glass coating protects your chosen fine art print against light and external influences for between 40-60 years.
• Ispis postera (materijal na platnu): The Artprinta poster is a UV printed canvas paper with a fine surface structure. Please keep in mind, that depending on the size of the canvas poster print we add a white margin between 2-6cm around the work of art to facilitate the framing.
• Ispis na platnu: The UV printed canvas material mounted on a wood frame. A printed canvas of your favorite work of art will allow you to transform your own fine art print into a large size artwork as you know from art galleries. A canvas print has the advantage of being relatively low in weight, meaning that it is easy and straightforward to hang the Canvas print without the help of extra wall-mounts. Canvas prints are suited for all kinds of walls.

Important information: We try our utmost to describe the art products as precisely as possible and to demonstrate them visually in our shop. Still, the pigments of the print materials and the printing might differ marginally from the representation on the device's monitor. Depending on your screen settings and the condition of the surface, color pigments may not be printed 100% realistically. Because all are processed and printed manually, there may as well be slight differences in the exact position and the size of the motif.

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Together with his brother Agostino and cousin Lodovico, Annibale Carracci introduced artistic reforms in Italy based on close observation of the natural world. Annibale’s innovative and highly influential style steered a path between the smooth artificiality of Mannerism––in which style and technique took precedence over fidelity to nature––and the heightened drama of paintings by Caravaggio. In this remarkable early work, the coarse surface of the canvas, the inelegant subject matter, and the striking distortion of forms from light passing through glass all speak to his naturalistic approach.