Paul Gauguin, 1892. - Arii Matamoe (Kraljevski kraj) - grafika

73,99 €

Porez je uključen. Dostava obračunata na blagajni.

Sažetak replike moderne umjetnosti

In 1892 Paul Gauguin naslikao ovo 19th stoljeća remek-djelo "Arii Matamoe (The Royal End)". Verzija umjetničkog djela mjeri veličinu: 45,1 74,3 cm x i slikana je tehnika of oil on coarse fabric. Može se pogledati u Muzej J. Paul Getty digital collection, which is located in Los Angeles, California, United States of America. The artwork, which is in the javnosti je pruženo ljubaznošću Muzej J. Paul Gettyja. Kreditna linija umjetničkog djela je sljedeća:. Nadalje, poravnanje digitalne reprodukcije je pejzaž s omjerom stranica 16: 9, to znači dužina je 78% duža od širine. The painter, sculptor, graphic artist Paul Gauguin was a European artist from France, whose art style can be classified as Impressionism. The European painter was born in 1848 u Parizu, Ile-de-France, Francuska i umro u dobi od 55 1903. u Atuoni, Francuska Polinezija.

Odaberite materijal vašeg proizvoda

Na padajućim listama proizvoda možete odabrati materijal i veličinu po svom izboru. Sljedeće opcije su dostupne za individualizaciju:

  • Otisak plakata na platnu: Our poster is a printed canvas with a slight surface finish. It is designed for putting the art print in a customized frame. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin of approximately 2-6cm round about the artwork to facilitate the framing with your custom frame.
  • Štampanje od akrilnog stakla (sa pravim staklenim premazom): The print on acrylic glass, often labelled as a UV print on plexiglass, will convert your favorite original into amazing wall decoration. The work of art will be custom-made with modern UV printing technology. It makes deep and rich color tones. The acrylic glass protects your selected art print against light and external influences for many years.
  • Ispis na platnu: The canvas print, which should not be confused with a canvas painting, is an image applied directly on cotton canvas. What is more, printed canvas creates a homelike and warm effect. A canvas of this artpiece will let you turn your own art print into a large size artwork. How can I hang a canvas on my wall? A canvas print has the advantage of being low in weight, which means that it is easy to hang the Canvas print without the help of additional wall-mounts. Hence, canvas prints are suited for any kind of wall.
  • Aluminijski dvobojni otisak: An Aluminium Dibond print is a print material with a true depth effect. The bright and white parts of the artwork shine with a silk gloss, however without the glow.

Important information: We try everything in order to depict the products with as many details as possible and to demonstrate them visually on the various product detail pages. Nonetheless, the colors of the print materials, as well as the printing might diverge slightly from the image on your screen. Depending on the settings of your screen and the nature of the surface, not all colors are printed 100% realistically. Because all the fine art prints are printed and processed manually, there might also be slight discrepancies in the size and exact position of the motif.

Detalji strukturiranog članka

Ispis proizvoda: art print
Reprodukcija: digitalna reprodukcija
Tehnika proizvodnje: UV ispis / digitalni tisak
Provenijencija: proizvedeno u Njemačkoj
Vrsta zaliha: na zahtjev
Upotreba proizvoda: zidna umjetnost, zid galerije
Poravnanje umjetničkog djela: pejzažni format
Odnos slike: 16: 9
Tumačenje bočnog omjera: dužina je 78% duža od širine
Dostupni izbor materijala: otisci na platnu, metalni otisak (aluminijski dibond), otisak akrilnog stakla (s pravim staklenim premazom), otisak plakata (platneni papir)
Tisak na platnu (platno na nosaču okvira): 90x50cm - 35x20 ", 180x100cm - 71x39"
Varijante akrilnog stakla (sa pravim staklenim premazom): 90x50cm - 35x20 "
Opcije štampe plakata (platneni papir): 90x50cm - 35x20 "
Varijante aluminijumskog tiska (aluminijski dibond materijal): 90x50cm - 35x20 "
okvir: Nije dostupno

Strukturirani podaci o umjetničkim djelima

Naziv umjetničkog djela: "Arii Matamoe (The Royal End)"
Kategorizacija: slika
Široka kategorija: moderna umjetnost
period: 19th stoljeća
Nastalo u godini: 1892
Približna starost umjetničkog djela: oko 120 godina
Medijum originalnih umjetničkih djela: oil on coarse fabric
Originalne dimenzije umetničkog dela: 45,1 74,3 cm x
Muzej / lokacija: Muzej J. Paul Gettyja
Mjesto muzeja: Los Angeles, Kalifornija, Sjedinjene Američke Države
Web stranica muzeja: Muzej J. Paul Gettyja
Licenca: javnosti
Ljubaznošću: Muzej J. Paul Gettyja

Opće informacije o izvođaču

Umjetnik: Paul Gauguin
Alternativna imena: Gauguin Paul, Gauguin, P. gaugin, Gaugin Paul, Gogen Polʹ, Kao-keng, Gauguin Eugène Henri Paul, Paul Gauguin, Paul Gaugin, Eugene-Henri Gauguin, gauguin p., Gauguin Pablo, gauguin paul, Gauguin Eugène-Henri-Paul, p. gauguin, גוגן פול
Spol: muški
Nacionalnost: francuski
Zanimanja: grafičar, slikar, kipar
Zemlja porijekla: Francuska
klasifikacija: moderni umjetnik
Likovni stilovi: Impresionizam
Lifetime: 55 godina
Godina rođenja: 1848
Mjesto rođenja: Pariz, Il de Frans, Francuska
Godina smrti: 1903
Mjesto smrti: Atuona, Francuska Polinezija

© Autorsko pravo - Artprinta.com

Additional artwork information by the museum (© - The J. Paul Getty Museum - www.getty.edu)

I have just finished a severed kanak [Pacific Islander] head, nicely arranged on a white cushion, in a palace of my invention and guarded by women also of my invention. --Paul Gauguin

Writing to his friend Daniel de Monfreid, Paul Gauguin referenced in an almost offhand way this startling painting of a decapitated human head, which he made during his first stay in Polynesia in the early 1890s. Real events, from Tahitian King Pomare V's death soon after Gauguin's arrival, to the artist having witnessed a public execution by guillotine several years earlier, likely influenced its dark subject matter. Gauguin added the Tahitian words "Arii" and "Matamoe" in the canvas' upper left. The first means "noble;" the second, "sleeping eyes," a phrase that implies "death."

The notion of a human head ritually displayed in an ornate interior suggests the formality of a ruler lying in state, supported by the presence of sorrowful figures in the background. However, this scene doesn't correspond to actual accounts of Pomare V's funeral because the body wasn't decapitated. Gauguin was just as apt to fantasize about life in Polynesia as he was to document it. Bright reds, yellows, and pinks are juxtaposed with muted browns and purples to evoke a tropical sensibility. The rough, burlap-like canvas also hints at an exotic "primitivism." In his collage-illustrated book Noa Noa--which he began after his first trip to Tahiti--he included a copy of this painting and a comment that he thought of Pomare's death as a metaphor for the loss of native culture due to European colonization.

Symbolist artists, including Gauguin, had a predilection for images of decapitated heads and any associated figures, such as Orpheus and John the Baptist. But in a more general sense, Gauguin also freely mixed Eastern and Western imagery. His obsession with the theme of death, which appears throughout his Tahitian paintings, is less a reference to spiritual beliefs or to what he saw around him than perhaps more significantly, how he viewed himself. Gauguin thought of himself as a martyr victimized by modern society, which compelled him to escape to a "primitive" culture.

Možda će Vam se svidjeti

Skoro Pregledano