Édouard Manet - Mladić koji ljušti krušku - grafički prikaz

Proizvod

Édouard Manet created this artwork. The version of the artwork measures the size of Visina: 85 cm (33,4 ″); Širina: 71 cm (27,9 ″) Uokvireno: Visina: 100 cm (39,3 ″); Širina: 86 cm (33,8 ″); Dubina: 5 cm (1,9 ″). Today, this piece of art is part of the Nationalmuseum Stockholm's collection. This work of art, which belongs to the javnosti isporučuje se ljubaznošću Nationalmuseum Stockholm & Wikimedia Commons.Štaviše, umjetničko djelo ima sljedeću kreditnu liniju: . Štaviše, usklađenost digitalne reprodukcije je portret i ima bočni omjer 1: 1.2, što znači da dužina je 20% kraća od širine. The painter Édouard Manet was a European artist from France, whose style can be attributed primarily to Realism. The Realist painter lived for a total of 51 years, born in 1832 i preminuo 1883. godine u 8. arondismanu Pariza.

Materijali proizvoda koji se mogu odabrati

Za svaku umjetničku grafiku nudimo različite materijale i veličine. Odaberite jednu od sljedećih opcija proizvoda sada kako biste odgovarali vašim željama u veličini i materijalu:

• Otisak na akrilnom staklu: An print on acrylic glass, which is often denoted as a print on plexiglass, will convert your favorite original into gorgeous home décor. Your own copy of the artwork is manufactured with the help of modern UV direct print machines. The result of this are rich, deep colors. The plexiglass with real glass coating protects your custom fine art print against light and heat for many decades.
• Štampani poster (materijal na platnu): The Artprinta poster print is a printed canvas paper with a granular texture on the surface. A poster is optimally suited for framing your art copy using a custom-made frame. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin of around 2-6cm round about the artwork to facilitate the framing with your custom frame.
• Aluminijski otisak (aluminijski dibond): This is a metal print manufactured on aluminium dibond with an outstanding depth, which makes a fashionable look thanks to a non-reflective surface structure.
• Otisak na platnu: A printed canvas, which shall not be confused with a canvas painting, is a digital copy printed from a UV direct printer. A canvas print has the advantage of being low in weight, which implies that it is easy and straightforward to hang the Canvas print without the support of extra wall-mounts. Therefore, a canvas print is suitable for any kind of wall.

Important note: We try whatever we can to depict the art products as clearly as possible and to illustrate them visually on the product detail pages. Nonetheless, the pigments of the printing material and the printing might vary slightly from the representation on the monitor. Depending on your settings of your screen and the nature of the surface, not all colors are printed as realistically as the digital version. Given that our art reproductions are printed and processed manually, there might also be slight differences in the size and exact position of the motif.

Proizvod

Specifikacije umjetničkih djela

O slikaru

Ovaj tekst je zaštićen autorskim pravima © - Artprinta.com

Originalne muzejske informacije o umjetničkim djelima (© - Nationalmuseum Stockholm - www.nationalmuseum.se)

English: The boy peeling the pear is Léon Koëlla Leenhoff, the son of Manet's wife Suzanne Leenhoff. But this is not just a straight-forward portrait. The artist was probably inspired by everyday scenes in older paintings – kitchen interiors, still-lifes or portrayals of various household chores. These were popular subjects in France in the 19th century. Anders Zorn acquired the painting on a visit to Paris, and donated it to the Nationalmuseum in 1896. Thus, the museum obtained its very first work by an artist in the Impressionist circle. Päronskalande hette Léon Koëlla Leenhoff och var son till Manets hustru Suzanne Leenhoff. Men det rör sig här inte om något vanligt porträtt. Konstnären inspirerades troligen av äldre epokers vardagsscener – köksinteriörer, stilleben eller skildringar av olika hushållssysslor. Sådana motiv var också populära i Frankrike under 1800-talet. Under ett besök i Paris blev Anders Zorn ägare till målningen. År 1896 skänkte han den vidare till Nationalmuseum. Därmed hade museet fått sitt allra första verk av en konstnär i impressionisternas krets.