Édouard Manet, 1864. - Mrtvi Hristos s anđelima - grafički prikaz

Opis umjetničkog djela starog više od 150 godina

Ovo više od 150 godina stara umjetnička djela Mrtvi Hrist sa anđelima je kreirao muški umjetnik Edouard Manet in 1864. Onostrano 150 original star godinu dana mjeri veličinu - 70 (5 x 8 cm) 59 179,4/149,9 x XNUMX in. Oil on canvas was applied by the French artist as the medium of the artwork. Moveover, the artpiece is included in the The Metropolitan Museum of Art's digital art collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. The moderna umjetnost remek-djelo, koje je u javnom vlasništvu, isporučuje se ljubaznošću Muzej umjetnosti Metropolitan, New York, zbirka HO Havemeyer, Oporuka gospođe HO Havemeyer, 1929. Kreditna linija umjetničkog djela je: Zbirka HO Havemeyer, Oporuka gospođe HO Havemeyer, 1929. What is more, the alignment of the digital reproduction is portrait and has a ratio of 1 : 1.2, which means that the length is 20% shorter than the width. The painter Édouard Manet was an artist from France, whose artistic style can mainly be classified as Realism. The French painter lived for 51 godina - rođeni godine 1832 i umro 1883. godine.

General description by The Metropolitan Museum of Art (© - The Metropolitan Museum of Art - Metropolitanski muzej umetnosti)

Manet identified the source for this painting, the first of several religious scenes, in the inscription on the rock: the Gospel according to Saint John. However, in the passage cited, Christ’s tomb is empty except for two angels. After Manet sent the canvas to the 1864 Salon, he realized that he had made an even greater departure from the text, depicting Christ’s wound on the wrong side. Despite Charles Baudelaire’s warning that he would "give the malicious something to laugh at," the artist did not correct his mistake. Critics indeed denounced the picture, particularly the realism of Christ’s cadaverous body.

Specifikacije umjetničkih djela

Tabela pregleda umjetnika

Opcije materijala proizvoda

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• Aluminijski dibond (metalni otisak): Aluminium Dibond prints are prints on metal with an outstanding depth effect. The white & bright parts of the original artwork shimmer with a silk gloss but without the glare. The colors are bright and luminous in the highest definition, the fine details of the print are clear and crisp, and you can perceive the matte appearance of the product. This direct print on Aluminum Dibond is the most popular entry-level product and is a sophisticated way to display art, since it puts 100% of the viewer’s focus on the replica of the artwork.
• Ispis na platnu: A UV printed canvas applied on a wood stretcher frame. It produces a extra impression of three dimensionality. Canvas prints are relatively low in weight, which means that it is easy to hang your Canvas print without the use of any wall-mounts. A canvas print is suited for all kinds of walls.
• Štampanje postera (materijal na platnu): The poster is a printed cotton canvas paper with a slightly roughened surface finish. Please note, that depending on the absolute size of the canvas poster print we add a white margin 2 - 6cm around the painting in order to facilitate the framing.
• Štampanje od akrilnog stakla (sa pravim staklenim premazom): The acrylic glass print, which is sometimes referenced as a an art print on plexiglass, transforms the original artwork into décor. The major upside of a plexiglass print is that contrasts as well as minor artwork details become more exposed because of the fine tonal gradation.

Detalji detalja

Važna pravna napomena: We try everything to describe our products as closely as it is possible and to display them visually in our shop. Nonetheless, the colors of the printed materials, as well as the print result can vary to a certain extent from the image on your device's monitor. Depending on the screen settings and the quality of the surface, color pigments can unfortunately not be printed one hundret percent realistically. Because all art reproductions are printed and processed manually, there might also be slight deviations in the motif's exact position and the size.

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