Camille Corot, 1865. - Rijeka s dalekim tornjem - grafički prikaz

Opis članka

u 1865 Camille Corot napravio je moderna umjetnost ilustracije "River with a Distant Tower". The over 150 year old original measures the size: 21 1/2 x 30 7/8 in (54,6 x 78,4 cm). Ulje na platnu was applied by the artist as the technique for the piece of art. The artwork forms part of the digital art collection of The Metropolitan Museum of Art, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of: The Metropolitan Museum of Art, New York, Bequest of Robert Graham Dun, 1900 (public domain license). : Bequest of Robert Graham Dun, 1900. Furthermore, alignment is in landscape format i ima bočni omjer 1.4: 1, što znači to dužina je 40% duža od širine. The painter Camille Corot was an artist from France, whose art style can be classified as Realism. The artist lived for 79 godina i rođen je 1796. i preminuo 1875. godine.

Materijali koje možete birati

Na padajućim listama pored proizvoda možete odabrati svoju omiljenu veličinu i materijal. Kako biste savršeno odgovarali vašim ličnim zahtjevima, možete odabrati jednu od sljedećih opcija prilagodbe proizvoda:

• Ispis postera (materijal na platnu): Our poster is a printed canvas with a slight surface finish, which resembles the actual work of art. Please keep in mind, that depending on the absolute size of the poster print we add a white margin of approximately 2-6 cm around the artwork in order to facilitate the framing with your custom frame.
• Ispis na platnu: The UV printed canvas applied on a wood stretcher frame. The canvas print generates a soft and pleasant feeling. A canvas print of this artwork will provide you with the unique chance to transform your fine art print into a large work of art. Hanging a canvas print: The great advantage of canvas prints is that they are relatively low in weight, meaning that it is easy to hang the Canvas print without the use of extra wall-mounts. Hence, a canvas print is suited for all kinds of walls.
• Aluminijski dibond (metalni otisak): An Aluminium Dibond print is a material with an impressive depth. The Direct Print on Aluminum Dibond is your excellent introduction to the sophisticated world of fine art reproductions with aluminum. For your Direct Print On Aluminum Dibond, we print your artwork on the aluminium surface. The white and bright parts of the artwork shimmer with a silk gloss, however without glow. Colors are vivid and luminous in the highest definition, the details of the print appear clear and crisp, and there’s a matte look you can literally feel.
• Štampanje od akrilnog stakla (sa pravim staklenim premazom): The acrylic glass print, often labelled as a plexiglass print, will change an original artwork into brilliant décor. Furthermore, it offers a distinct alternative option to aluminium or canvas fine art replicas. Your artwork will be printed thanks to modern UV direct printing technology. With an acrylic glass fine art print contrasts and granular painting details become more visible thanks to the delicate gradation.

Važna napomena: We try to describe the products as exact as possible and to demonstrate them visually on the various product detail pages. However, the colors of the print materials and the imprint can differ marginally from the presentation on the device's screen. Depending on your settings of your screen and the quality of the surface, not all color pigments are printed one hundret percent realistically. Given that all are processed and printed by hand, there might also be slight differences in the motif's exact position and the size.

O članku

Informacije o umjetničkom djelu

Tabela sažetka izvođača

Ovaj tekst je intelektualno vlasništvo i zaštićen autorskim pravima © | Artprinta.com

Originalni opis umjetničkog djela iz muzeja (© - The Metropolitan Museum of Art - Metropolitanski muzej umetnosti)

The writer Théophile Thoré repeated his habitual criticism of Corot in 1865, the date of this picture: "Corot almost never made anything besides the same one landscape, but it is good." The landscape here was conceived by Corot in his studio from stock elements that he knew by heart: the cluster of silvery trees, the body of leaden water, the peasant figures and boatman, the distant tower. Like his idol Claude Lorrain, Corot could generate a landscape and a mood through the power of his imagination.